The Serapion Brethren, Vol. I.Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Serapion Brethren, Vol. I.
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
splendidly!' Often she would say to him, 'I should like to sing
something, father'; and then he would take the fiddle from the wall,
and play all her favourite solos, those which she used to sing of
old,--and then she was quite happy.
"A short time before I came back, Krespel one night thought he heard
some one playing on the piano in the next room, and presently he
recognized that it was B----, preluding in his accustomed rather
peculiar fashion. He tried to rise from his bed, but some strange heavy
weight seemed to lie upon him, fettering him there, so that he could
not move. Presently he heard Antonia singing to the piano, in soft
whispering tones, which gradually swelled, and swelled to the most
pealing _fortissimo_. Then those marvellous tones took the form of a
beautiful, glorious _aria_ which B---- had once written for Antonia, in
the religious style of the old masters. Krespel said the state in which
he found himself was indescribable, for terrible alarm was in it, and
also a bliss such as he had never before known. Suddenly he found
himself in the middle of a flood of the most brilliant and dazzling
light, and in this light he saw B---- and Antonia holding each other
closely embraced, and looking at each other in a rapture of bliss. The
tones of the singing and of the accompanying piano went on, although
Antonia was not seen to be singing, and B---- was not touching the
piano. Here Krespel fell into a species of profound unconsciousness, in
which the vision and the music faded and were lost. When he recovered,
all that remained was a sense of anxiety and alarm. He hastened into
Antonia's room.
"She was lying on the couch, with her eyes, closed, and a heavenly
smile on her face, as if she were dreaming of the most exquisite
happiness and bliss. But she was dead!"
Whilst Theodore had been telling this tale, Ottmar had been manifesting
his impatience nay, his lively repugnance in various ways. Sometimes he
would get up and walk about the room, then he would sit down again, and
drink glass after glass of the contents of the vase; then he sat down
at Theodore's table, and pulled the papers about, till he found an
almanac, of which he eagerly turned over the leaves for a time, till at
length he laid it down before him, open on the table, with the air of
having discovered something in it of the deepest interest and
importance.
Public-domain text, read in full here on John Shaqi.
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