The Serapion Brethren, Vol. I.Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Serapion Brethren, Vol. I.
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
"'There were going to be great doings at the Residenz, on the occasion
of the prince's return from abroad, and the sisters were engaged to
sing there; in the meantime they decided on remaining in our little
town, and giving one or two more concerts. The admiration of the
towns-folk for them amounted to a species of insanity. Only old Mdlle.
Meibel would take a reflective pinch out of her pug-dog snuff-box, and
remark that screeching of that sort was not singing. My organist was no
more to be seen, and I by no means regretted his absence. I was the
happiest creature on earth. I sat with the sisters all day long, playing
their accompaniments, and writing out the parts from the scores for the
concerts at the Residenz. Lauretta was my ideal; all her naughty
tempers, her artistic outbreaks of fury, impatience with her
accompanyist, and so forth, I bore like a lamb. I began to learn
Italian, and wrote a _canzonetta_ or two. How I rose to the empyrean
when Lauretta sang my compositions, and even praised them! I often felt
as if I had never thought and written those things, but as if the ideas
streamed out for the first time when she sang them. With Teresina I did
not get on so well. She sang very seldom; didn't seem to take much
interest in me or my doings, and sometimes gave me the impression of
laughing at me behind my back.
"'The time arrived at last when they had to leave us: then it was that
I fully realized what Lauretta had become to me, and how impossible it
was for me to be parted from her. After she had been unusually
_smorfiosa_ with me, she would be kind and caressing, but always in
such a fashion that, although my blood would seethe, the coldness which
I could feel that she brought to bear upon me was sufficient to prevent
me from throwing myself at her feet with passionate avowals of love.
"'I had a pretty fair tenor voice then: it had never had any
cultivation, but it was beginning to improve, and I used to sing, with
Lauretta, numbers of those tender Italian duets whose name is legion.
We were singing one of those duets one day; the time of her departure
was at hand--
"Senza di te, ben mio!
Vivere non poss' io."
"'Who could have resisted this? I threw myself at Lauretta's feet, wild
with despair.
"'She helped me to rise. "Why should we part, dear friend?" she said. I
listened in delighted amazement. She said I had much better go with her
and Teresina to the Residenz. If I meant to devote myself to music
altogether, I should have to quit my little native town some day or
other.
Public-domain text, read in full here on John Shaqi.
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