The friends looked at each other in amazement. They made a rapid pass-muster of the principal characters in Zacharias Werner's pieces, and then came to the same conclusion--that in every case there was a certain element of the strange and singular, and often of the commonplace, mingled with the truly great, the grandly tragic which seemed to indicate that the author had never come to any really clear seeing of his heroes, and that he was doubtless deficient in that absolute health and soundness of the inner mind which Lothair considered indispensible to every writer of tragedy. Theodore alone had been laughing within himself, as if he were of another opinion, and now began: "Halt! Halt! ye worthy Serapion Brethren. Don't be in too great a hurry. I know very well, in fact, I am the only one of you who can know, that Cyprian is speaking of a work which the writer never finished, which is consequently unknown to the world, although friends in the writer's neighbourhood, to whom he communicated sketches of scenes from it, had ample reason to be convinced that it would rise to the position of being amongst the grandest and most powerful, not only that he ever produced, but which have been seen in modern days." "Of course," said Cyprian, "I was talking of the second part of the 'Kreuz an der Ostsee,' in which it is that the terrible, gruesome, gigantic character to whom I was alluding occurs, the old King of Prussia, Waidewuthis. It may be impossible for me to give you a distinct idea of this character, which the poet, by virtue of some mighty spell at his command, seems to have conjured up from the mysterious depths of the subterranean kingdoms. It must suffice if I enable you to look into the interior mechanism of the springs which the poet has placed within it to set this production of his into due activity of movement. According to historical tradition, the earliest 'culture' of the ancient Prussians was originated by their king, Waidewuthis. He introduced the rights of property. The fields were divided, and agriculture carried on. He also gave the nation a form of religious worship, inasmuch as he himself carved three graven images, to which sacrifices were offered beneath an ancient oak-tree, where they were set up; but a terrible power grasped hold of him (though himself all-powerful, the god of the nation which he ruled), those rude graven images, carved by his own hands, that the people's force and will might bow down before them as embodiments of a higher energy, suddenly awoke into life. And what inflamed those senseless images thus into life was the fire which the Satanic Prometheus stole from Hell. Rebellious thralls of their Lord and Maker, those idols began to wield against himself the weapons with which he had armed them. And thus commences the monstrous conflict of the Superhuman principle with the Human. I do not know if I have been intelligible to you--if I have