The demotic characters of the Seri, like those of other peoples, may be classed as (1) esthetic, (2) industrial, (3) institutional, (4) linguistic, and (5) sophic; and in this order the essentially human attributes of the tribe (except the last named) may be described. It is a matter of deep regret that the data concerning the demotic characters of the tribe are too meager to afford more than a mere outline of their activities, and that their suggestive mythology must be passed over for the present. SYMBOLISM AND DECORATION FACE-PAINTING One of the most conspicuous customs of the Seri is that of painting the face in designs by means of mineral pigments. Of the 55 members of the tribe shown in the group forming plate XIII, 28 (in the original photograph; a somewhat less number in the reproduction) exhibit face-painting more or less clearly, and this proportion may be regarded as typical; i. e., about half of the tribe are painted. On noting the individual distribution of face-painting, it is found to be practically confined to the females, though male infants are sometimes marked with the devices pertaining to their mothers, as adult warriors are said to be on special occasions; and so far as observed all the females, from aged matrons to babes in arms, are painted, though sometimes the designs are too nearly obliterated by wear to be traceable. About 35 of the individuals shown in the group (plate XIII) are females; of these, fully four-fifths showed designs or definite traces of the paint, while the remaining fifth bore traces too faint to be caught by the camera; but none of the men or larger boys were painted. In the smaller group shown in plate XIV all of the females display paint, as does the small boy in the center also, while the man (husband of the middle-aged matron) reveals no trace of the symbol. The two pictures typify the prevalence and the distribution by sex of the painting. [Illustration: BUREAU OF AMERICAN ETHNOLOGY SEVENTEENTH ANNUAL REPORT PL. XXIV SERI BELLE]