Married women -- Fiction; Mothers and daughters -- Fiction
“He says,” she hesitated for a moment, “he says, he has heard a great
deal of our--chrysanthemums.”
“Twenty miles’ drive to look at half a dozen pots of chrysanthemums!
_Bah!_” and Colonel Fenchurch sprang to his feet, snatched up his cap,
and went out of the room.
CHAPTER VI
For one whole week the post-bag carried to Mrs. Fen a sharp
disappointment, instead of an expected letter. In the course of certain
promenades and _tête-à-têtes_ at Bonham Court, Blagdon had accepted the
lady’s warm invitation to come and see them, and promised to fix his
own day; indeed the last words he uttered, as he pressed her hand in a
significant farewell, were:
“_I will write._”
This encouraging pledge had maintained certain buoyant hopes, but now
these hopes began to sink, and fears to rise.
By most exasperating ill-luck, Mrs. Fenchurch was engaged to attend a
function in London--the wedding of a niece, who was making a marriage
that reflected credit on the whole connection. She had forwarded a
handsome gift (one of her bargains), and angled for an invitation to
spend a week with a relative in Portland Place, in order, she declared,
“to help dearest sister Cecilia and see the whole ‘thing through.’”
Carefully matured plans, laid weeks ahead, were on this occasion too
previous; but how was the unhappy woman to know that by her absence
from home at the critical moment, she was risking the prospects of an
alliance that would throw Cecilia’s paltry triumph into the cold, cold
shade. The baffled chaperon looked worn and worried; her condition
communicated itself to others. She complained of neuralgia--Mrs.
Fenchurch’s neuralgia was an ailment to be feared--these were
uncomfortable days for her household: everything seemed to go wrong:
servants, dogs, appointments, and clocks.
But in her aunt’s anxieties respecting Hugo Blagdon, Miss Glyn had no
share; indeed, she scarcely cast a thought to that important personage.
On the other hand, it must be frankly admitted that her mind was too
frequently occupied by Lancelot Lumley.
Public-domain text, read in full here on John Shaqi.
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