MARY. Yes: and, besides, there's another reason. . . I've been
thinking of the poor man I met this morning.
AUNTIE. ) Yes . . .
VICAR. ) What of him? . . .
MARY. _He_ said he was a wicked man, and at first he looked so
dreadfully wicked, I believed him; but when I began to look at him
closely, and heard him talk about his little girl, everything
seemed different! I could no more believe him, than I can believe
you, uncle, when you say such awful things about yourself! I
believe he was a much better man than he ever dreamed! And so I
think we might find my father just the same, if he was properly
loved and looked after!
VICAR [with determination]. Then listen to me, Mary: I have
something to tell you: that very man you spoke to . . .
[ROGERS enters, his face betraying signs of his morning's
affliction.]
ROGERS. Beg your pardon, sir; but . . .
VICAR. Yes, Rogers: what is it?
ROGERS. Mr. Manson sent me, sir; it ain't my fault! . . .
VICAR. Do explain yourself, Rogers!
ROGERS. Well, sir, it's a bit orkard: it's . . . I really don't
know what you'll say, sir, I don't really . . .
VICAR [impatiently]. Come, come, come, what is it?
ROGERS. _It's a man, sir_!
VICAR. Well, there's nothing very extraordinary in that. Wants to
see me, eh?
ROGERS. Yes, sir; and what's more, Mr. Manson told me to _bring
'im in_!
VICAR. Well, why don't you?
ROGERS. 'E's mucked up to the eyes, sir! Bin down the drains!
_It's the same chap as come an' made so free 'ere this mornin'_!
[There is a general rapturous excitement.]
VICAR. Praise God! Shew him in at once!
ROGERS [flabbergasted]. What! In '_ere_, sir? . . .
VICAR. Come, come, come!
[ROGERS'S cosmos is fast slipping away: he crawls abjectly to the
door: his hand on the knob, he turns once more a face of bewildered
inquiry upon the VICAR, who snaps his fingers impatiently.]
ROGERS [with a sickly smile]. 'E's just outside, sir.
[Opening the door, he whines.]
Oh, do come in.
[ROBERT enters, amply fulfilling the lad's description. The latter
lags out, nauseated with the world.]
[ROBERT stands up stage, in the middle: AUNTIE and VICAR, down
stage, one on either side. MARY with her aunt.]
ROBERT. Can I be 'eard civil in this 'ouse, if I speak a few words?
[They make a movement as towards him.]
'Old back! Don't you come near me! Don't you so much as speak
till I've done! . . .
[To Auntie and Vicar respectively]. You don't know me: you don't
know me . . . Understand?
There's no one 'ere as knows oo I am, excep' one little gel--'er
over there. Now, keep quiet! 'Ere! . . .
[MARY goes up to him.]
Tell 'em oo I am.
MARY. Why, it's my friend--the man I was telling you about! The
man who looks after the drains!
ROBERT. That's about it: I'm the drain-man, _see_? Thought you
might be mistakin' me for--summat else, if you wasn't told. Now
you know.
[MARY'S face, as she returns, bears the first dawn of an idea. The
VICAR lifts a hand of warning to AUNTIE.]
Public-domain text, read in full here on John Shaqi.
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