What first suggested that necessity was grim, and made fate to be so
fatal? The strongest is always the least violent. Necessity is my
eastern cushion on which I recline. My eye revels in its prospect as in
the summer haze. I ask no more but to be left alone with it. It is the
bosom of time and the lap of eternity. To be necessary is to be
needful, and necessity is only another name for inflexibility of good.
How I welcome my grim fellow, and walk arm in arm with him! Let me too
be such a Necessity as he! I love him, he is so flexile, and yields to
me as the air to my body. I leap and dance in his midst, and play with
his beard till he smiles. I greet thee, my elder brother! who with thy
touch ennoblest all things. Then is holiday when naught intervenes
betwixt me and thee. Must it be so,—then is it good. The stars are thy
interpreters to me.
Over Greece hangs the divine necessity, ever a mellower heaven of
itself; whose light gilds the Acropolis and a thousand fanes and
groves.
II.
What Music Shall We Have?
Each more melodious note I hear
Brings this reproach to me,
That I alone afford the ear,
Who would the music be.
The brave man is the sole patron of music; he recognizes it for his
mother tongue; a more mellifluous and articulate language than words,
in comparison with which, speech is recent and temporary. It is his
voice. His language must have the same majestic movement and cadence
that philosophy assigns to the heavenly bodies. The steady flux of his
thought constitutes time in music. The universe falls in and keeps pace
with it, which before proceeded singly and discordant. Hence are poetry
and song. When Bravery first grew afraid and went to war, it took Music
along with it. The soul is delighted still to hear the echo of her own
voice. Especially the soldier insists on agreement and harmony always.
To secure these he falls out. Indeed, it is that friendship there is in
war that makes it chivalrous and heroic. It was the dim sentiment of a
noble friendship for the purest soul the world has seen, that gave to
Europe a crusading era. War is but the compelling of peace. If the
soldier marches to the sack of a town, he must be preceded by drum and
trumpet, which shall identify his cause with the accordant universe.
All things thus echo back his own spirit, and thus the hostile
territory is preoccupied for him. He is no longer insulated, but
infinitely related and familiar. The roll-call musters for him all the
forces of Nature.
Public-domain text, read in full here on John Shaqi.
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