Clergy -- Fiction; Families -- Fiction; Glasgow (Scotland) -- Social life and customs -- 20th century -- Fiction
Their pride in their son was touching. His height, his good looks, his
accent, his "gentlemanly" manners, his love of books, his talent as an
artist, kept them wondering and amazed. They could not imagine how they
had come to have such a son. It was certainly disquieting for Mr.
Stevenson who read nothing but the newspapers on week-days and _The
British Weekly_ on the Sabbath, and for his wife who invariably fell
asleep when she attempted to dally with even the lightest form of
literature, to have a son whose room was literally lined with books and
who would pore with every mark of enjoyment over the dullest of tomes.
His artistic abilities were not such a phenomenon, and could be traced
back to a sister of Mr. Stevenson's called Lizzie who had sketched in
crayons and died young.
Had Stewart Stevenson been a poor man's son he would probably have
worked long without recognition, eaten the bread of poverty and found
his studio-rent a burden, but, so contrariwise do things work, with an
adoring father and a solid Ham and Butter business at his back his
pictures found ready purchasers.
To be honest, Mr. Stevenson senior was somewhat astonished at the taste
shown by his son's patrons. To him the Twopence Coloured was always
preferable to the Penny Plain. He could not help wishing that his son
would try to paint things with a little more colour in them. He liked
Highland cattle standing besides a well, with a lot of purple heather
about; or a snowy landscape with sheep in the foreground and the sun
setting redly behind a hill. He was only bewildered when told to remark
this "sumptuous black," that "seductive white." He saw "no 'colour' in
the smoke from a chimney, or 'bloom' in dingy masonry viewed through
smoke haze." To him "nothing looked fine" save on a fine day, and he
infinitely preferred the robust oil-paintings on the walls of Lochnagar
to his son's delicate black-and-white work.
But he would not for worlds have admitted it....
To return. As Elizabeth sat listening to the conversation of her father
and Stewart Stevenson, Ellen announced "Mr. Jamieson," and a thin, tall
old man came into the room. He was lame and walked with the help of two
sticks. When he saw a stranger he hung back, but James Seton sprang up
to welcome him, and Elizabeth said as she shook hands:
"You've come at the most lucky moment. We are talking about your own
subject, old Scots songs and ballads. Mr. Stevenson is quite an
authority."
As the old man shook hands with the young one, "I do like," he said,
"to hear of a young man caring for old things."
Public-domain text, read in full here on John Shaqi.
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