The Settling of the SageEvarts, Hal G. (Hal George)
General
The Settling of the Sage
Evarts, Hal G. (Hal George)
Western stories
For a space of minutes these old pictures occupied the mind of the man
on the pinto horse. The led buckskin moved fretfully and tugged on the
lead rope, rousing the man from his abstraction. Distant strings of
prairie schooners and ox-bows faded from his mind's eye and he way once
more conscious of the red steer with the Three Bar brand that had
stirred up the train of reflections. He turned for another glimpse of
the distant sign as he headed the paint-horse along the road.
"All that was quite a spell back, Calico," he said. "Old Bill Harris
planted the first one of those signs, and it served a good purpose
then. It's a sign that stands for lack of progress to-day. Times
change, and it's been eighteen years or so since old Bill Harris left."
The road traversed the bench, angled down a side hill to a valley
somewhat more than a mile across. Calico pricked his ears sharply
toward the Three Bar buildings that stood at the upper end of it.
Curious eyes peered from the bunk house as he neared it, for the
paint-horse and the buckskin were not without fame even if the man
himself were a stranger to them all. For the better part of a year the
two high-colored horses had been seen on the range,--south to the
railroad, west to the Idaho line. The man had kept to himself and when
seen by approaching riders he had always been angling on a course that
would miss their own. Those who had, out of curiosity, deliberately
ridden out to intercept him reported that he seemed a decent sort of
citizen, willing to converse on any known topics except those which
concerned himself.
He dropped from the saddle before the bunk house and as he stood in the
door he noted half a dozen men lounging on the bunks. This indolence
apprised him of the fact that they were extra men signed on for the
summer season and that their pay had not yet started, for the cowhand,
when on the pay roll, works sixteen hours daily and when he rests or
frolics it is, except in rare instances, on his own time and at his own
expense.
A tall, lean individual, who sat cross-legged on a bunk, engaged in
mending a spur strap, was the first to answer his inquiry for the
foreman.
"Billie Warren is the big he-coon of the Three Bar," he informed.
"You'll likely find the boss at the blacksmith shop." The lanky one
grinned as the stranger turned back through the litter of log
outbuildings, guided by the hissing squeak of bellows and the clang of
a sledge on hot iron. Several men pressed close to the windows in
anticipation of viewing the newcomer's surprise at greeting the Three
Bar boss. But the man did not seem surprised when a young girl emerged
from the open door of the shop as he neared it.
She was clad in a gray flannel skirt and black Angora chaps. The heavy
brown hair was concealed beneath the broad hat that was pulled low over
her eyes after the fashion of those who live much in the open. The man
removed his hat and stood before her.
Public-domain text, read in full here on John Shaqi.
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