"I know it's boring," his mother went on, "very boring to have a mother
who tries to interfere with a young man's natural amusements. I don't a
bit want to be a spoil-sport, but you know how horrified father would
be if he thought you were gambling. Luckily I was able to help you out
with that money. But I shan't always be able to help you, and I do so
want you to help yourself."
Mary had tried not to bring Richard into the conversation in order to
make a comparison. But before she could stop herself the comparison was
made.
"Richard!" Geoffrey echoed, flushing. "I've never pretended to compete
with him. And anyway you wouldn't expect a soldier on active service to
have the temptations I have at the 'Varsity."
"What a mean remark! Unworthy of a brother!"
Geoffrey shifted back from his left leg to his right.
"Whatever I do and whatever I say is sure to be wrong," he muttered.
Mary turned away with a sigh. It was not thus she had pictured her
second son at eighteen when ten years ago she had sat in the shade of
the mulberry tree at High Corner, during that first delicious summer
of their possession, and watched him turning somersaults on the bright
lawn. Then her only fear for Geoffrey was that the blood might rush to
his head from the energy of his exercise. How foolish an apprehension
that seemed compared with the present dread for Geoffrey's future!
Later in that month Queen Victoria died, and on the gray February
morning when the funeral procession crossed London Mary found herself
kept by the press of people from reaching Grosvenor Place, where Jemmie
had been lent a window to watch with his family the passing of a great
period, the end of a mighty reign, the obsequies of an august and noble
woman. She turned aside into Hyde Park, vexed with herself for making a
muddle of the occasion; but when she was out of the crowd and walking
in comfort under the bare trees she was glad that she had not succeeded
in reaching Grosvenor Place, for out of the gray air beyond the fume of
gray boughs sounded the lament of Chopin's Funeral March, not as if it
was being played by mortal instruments, but like a coronach wailed by
remote winds, a threnody uttered by unimaginable waves.
Public-domain text, read in full here on John Shaqi.
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