The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
General
The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
On leaving the immense rotunda which formed the principal conservatory,
the head gardener conducted the visitors into other hothouses built on
either side of the main structure. One of these, used as a pinery, led
to another conservatory devoted entirely to orchids, and, in spite of
the humidity and stifling heat, the doctor had considerable difficulty
in tearing Marie Bastien and her son away from the spot, so great was
their wonder and astonishment at the sight of these beautiful but almost
fantastic flowers, some strongly resembling huge butterflies in shape
and colouring, others, winged insects of the most fantastic appearance.
Here M. Dutilleul's domain ended, but he was kind enough to express a
willingness to conduct our friends through the orangery and grapery.
"I promised you China," the doctor said to his friends, "and here we are
in China."
In fact, as they left the orchid house, they found themselves in a
gallery, with columns painted a bright green and scarlet, and paved with
porcelain blocks which were continued up the low wall that served as a
support for the base of the columns. Between these columns stood immense
blue, white, and gold vases, containing camellias, peonies, azaleas, and
lemon-trees. This gallery, which was enclosed with glass in winter, led
to a small Chinese house which formed the centre of a large
winter-garden.
The construction of this house, which had cost infinite care and an
immense outlay of money, dated back to the middle of the eighteenth
century, when the rage for everything Chinese was at its height, as the
famous Chanteloup pagoda, a very tall building, constructed entirely of
china, testifies.
The Chinese house at Pont Brillant was no whit inferior to M. de
Choiseul's famous "folly." The arrangement of this dwelling, which
consisted of several rooms, the hangings, furniture, ornaments, and
household utensils, were all strictly authentic, and to complete the
illusion, two wonderful wax figures, life-size, stood on either side of
the drawing-room door, as if to welcome their visitors, to whom they
ever and anon bowed, thanks to some internal mechanism that made them
move their eyes from side to side, and alternately raise and incline
their heads. The choicest and most curious specimens of lacquer work,
richly embroidered stuffs, furniture, china, gold and silver articles,
and ivory carvings had been collected in this sort of museum.
"How wonderful!" exclaimed Madame Bastien, examining all these treasures
with great curiosity and interest. "See, Frederick, here is a living
book in which one can study the customs, habits, and history of this
singular country, for here is also a collection of medals, coins,
drawings, and manuscripts."
"Say, mother!" exclaimed Frederick, "how pleasantly and profitably one
could spend the long winter evenings here in reading about China, and
comparing, or rather verifying the descriptions in the book with nature,
so to speak."
Public-domain text, read in full here on John Shaqi.
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