The young man stood still for a moment, listening to the strange cries which came from the excited audience. Suddenly inspiration seemed to come to him. His eyes flashed. He turned away and strode out on to the stage almost with the air of a man possessed by some holy purpose. I followed him to the wings, and from there I had a wonderful view of all that happened during the next few minutes. The young man stood in the middle of the stage, waved his hand towards Rose, to intimate that he needed no music, waited for a few more moments with half-closed eyes and a strange smile upon his face, and commenced to sing. I realised then what inspiration meant. He sang against his will, carried away by an all-conquering emotion, sang in Gaelic, a strange, rhythmic chant, full of deep, sweet notes, but having in it something almost Oriental in its lack of compass and superficial monotony. Again the silence was amazing, only this time, as the song went on, several of the women began to sob, and a dozen or more men in the audience stood up. Afterwards I knew what that song meant. It was the Hymn of Revolution, and every line was a curse. From my place in the wings I was able to follow better, perhaps, than any one else in the room, the events of the next sixty seconds. I saw two policemen push their way along the stone passage, past the box office and into the back of the hall, led by a man in plain clothes, a stalwart, determined-looking man with a look of the hunter in his face. Almost at the same moment the singer saw them. His song appeared somehow to become suspended in the air, ceased so abruptly that there seemed something inhuman in the breaking off of so wonderful a strain. He stood gazing at the slowly approaching figures like a man stricken sick and paralysed with fear. Then, without a word, he left the stage, pushed past me, sprang for the dressing room, and, turning the key in the lock, disappeared inside. I followed him for a few yards and then hesitated. Behind, I could hear the heavy, slowly moving footsteps of the police, making their way with difficulty through the crowd, a slight altercation, the stern voice of the detective in charge. Then, facing me, the young man emerged from the dressing room, ghastly pale, shaking the coat in which he had arrived, distraught, furious, like a man who looks upon madness. Mr. Richard Thomson leaned back in his chair, his mouth open, his whole attitude indicative of mingled curiosity and surprise. "What you break off for like that, young man?" he demanded. "Have you forgotten the words? You've won the quid all right, anyway." "I've been robbed!" the singer called out. "Something has been stolen from the pocket of this coat!" "You locked it up yourself," I reminded him, with a sudden sinking of the heart. "I don't care!" was the wild reply. "It was there and it is gone!"