The Seven ConundrumsOppenheim, E. Phillips (Edward Phillips)
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The Seven Conundrums
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories, English; English fiction -- 20th century
"Let me see," he observed, "that will be Conundrum Number Two."
CONUNDRUM NUMBER THREE
THE SPIDER'S PARLOUR
We three--Leonard Cotton, Rose Mindel and I, Maurice Lister, who
comprised the much-advertised little troupe of English artistes recently
arrived at Brussels--sipped the very excellent black coffee provided for
our delectation by Monsieur Huber, the proprietor of the Quatres
Etoiles, gazed around with interest at the motley crowd by which we were
surrounded, applauded the performance of a little French soubrette upon
the stage with all the abandon required by fellow artistes, and
exchanged mutual smiles of well-being and content. To tell the truth,
the Café des Quatres Etoiles, its clientele, and the character of the
entertainment provided were nothing so very wonderful, but it was our
first glimpse of foreign life for some five or six years. We were young
and athirst for adventure, and with our unseen patron behind us we were
pretty certain that before long we should be brought into touch with
interesting things. So far we had spent a week in Brussels, and no word
had followed the mandate which had sent us there. We had been perfectly
content, however, to wait our time and take our nightly part in the
performances. Rose had made quite a hit with her topical songs and
graceful dancing. Leonard's droll stories were much appreciated by an
audience which during the last four years had received a mighty English
lesson. My own baritone songs were well enough received, and we
thoroughly enjoyed the cosmopolitan habit established at the little
music hall of coming down to one of the tables in the café between our
turns and taking our place amongst the audience. Rose was somewhat of a
responsibility to us, but since the affair Kinlosti she had shunned all
new acquaintances and was quite content that we should play the part of
watchdogs. Even as we sat there that evening, she received with the
pleasant indifference of the true artiste many admiring, many inviting
glances. Prosperity had agreed with Rose, as I suppose it had also with
Leonard and me. The slight thinness of her face, the discontented curl
of the lips, had vanished. Her cheeks had filled out, those wonderful
blue eyes of hers seemed always soft and full of life. She had a
perpetual and distracting smile upon her lips; she moved as one who
walks on air. "The little lady," Monsieur Huber had said to us on the
evening of our first performance, "has the gaiety of Paris. It is
incredible that she is of London. She makes happiness wherever she
goes." And, by the bye, Mr. Huber was not accustomed to overpraise any
artiste to whom he was in the habit of paying a salary.
"Maurice--and you, old solemn-face," Rose said, turning to Leonard, "I
like this place. I am prepared to enjoy myself here. I am more glad than
ever that I sold my soul."
"I am entirely with you," Leonard assented, "so long as the future does
not present any such penalties as the incarceration of the body."
Public-domain text, read in full here on John Shaqi.
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