The Seven ConundrumsOppenheim, E. Phillips (Edward Phillips)
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The Seven Conundrums
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories, English; English fiction -- 20th century
He nodded and drew me a little on one side. His manner was distinctly
uneasy, and his clothes were shabbier even than they had seemed at a
distance, but his voice was the voice of a person of education,
pleasant, notwithstanding a queer, rather musical accent which at the
moment was unfamiliar to me.
"Shall I be able to lock my things up?" he asked, in an undertone. "No
offence," he went on hastily, "only I happen to be carrying something
rather valuable about with me."
I handed him the key of the dressing room, for which he thanked me.
"How long will that screeching woman be?" he asked impatiently.
"You can go on directly she's finished murdering this one," I promised
him. "I don't think they'll stand any more."
He nodded, and I turned back towards where the other aspirant was
standing in the shadow of the wings.
"Now what can I do for you, sir?" I asked. "I don't think you need to
change, do you?"
There was no immediate reply. Suddenly I felt a little shiver, and I had
hard work to keep back the exclamation from my lips. I knew now that
Rose had been right. It was a very wonderful disguise, but our master
had at last appeared. He drew a little nearer to me. Even then, although
I knew that it was Richard Thomson, I could see nothing but the Jew
shopkeeper.
"I shall pretend to make some slight change behind that screen," he said
in a low tone. "Come back here when you've taken him on the stage. I may
want you."
He disappeared behind a screen a few feet away, and I stood there like a
dazed man. From the stage I could still hear the lusty contralto of the
young lady candidate. I heard her finish her song amidst moderate
applause, chiefly contributed by a little group of her supporters. There
was a brief pause. The young lady obliged with an encore. Then the door
of the men's dressing room opened, was closed and locked. The young man,
looking a little haggard but remarkably handsome, came towards me,
clenching the key in his hand.
"I was a fool to take this on," he confided nervously. "You are sure my
things will be all right in there?"
I pointed to the key in his hand.
"You have every assurance of it," I told him.
He fidgeted about, listening with obvious suffering to the girl's
raucous voice.
"Ever been in the profession?" I enquired.
"Never," was the hasty reply.
"What's your line to-night?"
"Tenor. Your pianist will be able to do what I want. I've heard her."
"If you win the prize, do you want a job?" I asked, more for the sake of
making conversation than from any real curiosity.
He shook his head.
"I've other work on."
"Down at the docks?"
"That's of no consequence, is it?" was the somewhat curt
reply.--"There, she's finished, thank heavens! Let me get this over."
Public-domain text, read in full here on John Shaqi.
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