Crime -- England -- London -- History -- 19th century; London (England) -- Moral conditions; London (England) -- Social conditions
At the same time it must be admitted—shameful and disgraceful as the
admission is—that it is not the music-hall of the vulgar East-end or
“over the water” that presents in special prominence the peculiar
features here spoken of, and which, in plain language, are licentiousness
and prostitution. He who would witness the perfection to which these
twin curses may be wrought under the fostering influences of “music,”
&c., must visit the west, and not the east or south, of the metropolis.
He must make a journey to Leicester-square, and to the gorgeous and
palatial Alhambra there to be found. What he will there discover will
open his eyes to what a farcical thing the law is, and how within the
hour it will strain at gnats, and bolt entire camels without so much as a
wry face or a wince, or a wink even.
I speak fearlessly, because all that I describe may be witnessed
to-night, to-morrow, any time, by the individual adventurous and curious
enough to go and see for himself. There is no fear of his missing it; no
chance of his fixing on a wrong night. It is _always_ the same at the
music-hall. Its meat is other men’s poison; and it can fatten and
prosper while honesty starves. The bane and curse of society is its main
support; and to introduce the purging besom would be to ruin the
business.
At the same time, I would wish it to be distinctly understood, that I do
not desire to convey to the reader the impression that the numerical
majority of music-hall frequenters are persons of immoral tendencies. On
the contrary, I am well convinced that such places are the resort of a
vast number of the most respectable portion of the working-class. This,
I believe, is a fact carefully treasured by music-hall proprietors, and
elaborately displayed by them whenever their morality is attacked. They
point to the well-filled body of the hall, the sixpenny part, where
artisans and working-men congregate, and not unfrequently bring with them
their wives and daughters; and triumphantly inquire, “Is it likely that
the music-hall can be what slanderers represent, when it is so
patronised?” And it is quite true that a very large number of honest and
intelligent folk are attracted thither in search of harmless amusement.
Let them bless God for their ignorance of the world’s wicked ways if they
succeed in finding it. It is not impossible. Provided they look neither
to the right nor left of them, but pay their sixpence at the door, and
march to the seats apportioned them; and, still at eyes right, direct
their gaze and their organs of hearing towards the stage, from which the
modern “comic vocalist” doles out to a stolen tune feeble jingling
idiotcies of “his own composing,”—if they are steadfast to this, they may
come away not much the worse for the evening’s entertainment. But let
him not look about him, especially if he have his wife or daughters with
him, or he may find himself tingling with a feeling it was never his
misfortune to experience before.
Public-domain text, read in full here on John Shaqi.
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