in tones of but half-assured consolation, “Ah, well! it doesn’t matter what the _reading_ is; the piece won’t be spoke, it’ll be _acted_, so we are sure to know all about it when we come to-night.” Under such circumstances, it is easy enough to understand the agonized anxiety of low-lived ignorant Master Tomkins in these stirring times of Black Highwaymen, and Spring Heel Jacks, and Boy Detectives. In the shop window of the newsvendor round the corner, he sees displayed all in a row, a long line of “penny numbers,” the mere illustrations pertaining to which makes his heart palpitate, and his hair stir beneath his ragged cap. There he sees bold highwaymen busy at every branch of their delightful avocation, stopping a lonely traveller and pressing a pistol barrel to his affrighted head, and bidding him deliver his money or his life; or impeding the way of the mail coach, the captain, hat in hand, courteously robbing the inside passengers (prominent amongst whom is a magnificent female with a low bodice, who evidently is not insensible to the captain’s fascinating manner), while members of his gang are seen in murderous conflict with the coachman and the guard, whose doom is but too surely foreshadowed. Again, here is a spirited woodcut of a booted and spurred highwayman in headlong flight from pursuing Bow Street officers who are close at his heels, and in no way daunted or hurt by the contents of the brace of pistols the fugitive has manifestly just discharged point blank at their heads.