Crime -- England -- London -- History -- 19th century; London (England) -- Moral conditions; London (England) -- Social conditions
Now that the police are to be roused to increased vigilance in the
suppression, as well as the arrest of criminality, it would be as well if
those in authority directed their especial attention to these penny
theatres. As they at present exist, they are nothing better than
hot-beds of vice in its vilest forms. Girls and boys of tender age are
herded together to witness the splendid achievements of “dashing
highwaymen,” and of sirens of the Starlight Sall school; nor is this all.
But bad as this is, it is really the least part of the evil. The penny
“gaff” is usually a small place, and when a specially atrocious piece
produces a corresponding “run,” the “house” is incapable of containing
the vast number of boys and girls who nightly flock to see it. Scores
would be turned away from the doors, and their halfpence wasted, were it
not for the worthy proprietor’s ingenuity. I am now speaking of what I
was an actual witness of in the neighbourhood of Shoreditch. Beneath the
pit and stage of the theatre was a sort of large kitchen, reached from
the end of the passage, that was the entrance to the theatre by a flight
of steep stairs. There were no seats in this kitchen, nor furniture of
any kind. There was a window looking toward the street, but this was
prudently boarded up. At night time all the light allowed in the kitchen
proceeded from a feeble and dim gas jet by the wall over the fire-place.
Wretched and dreary-looking as was this underground chamber, it was a
source of considerable profit to the proprietor of the “gaff” overhead.
As before stated, when anything peculiarly attractive was to be seen, the
theatre filled within ten minutes of opening the besieged doors. Not to
disappoint the late comers, however, all who pleased might pay and go
downstairs until the performance just commenced (it lasted generally
about an hour and a half) terminated. The prime inducement held out was,
that “then they would be sure of good seats.” The inevitable result of
such an arrangement may be easier guessed than described. For my part, I
know no more about it than was to be derived from a hasty glance from the
stair-head. There was a stench of tobacco smoke, and an uproar of
mingled youthful voices—swearing, chaffing, and screaming, in boisterous
mirth. This was all that was to be heard, the Babel charitably rendering
distinct pronouncing of blasphemy or indecency unintelligible. Nor was
it much easier to make out the source from whence the hideous clamour
proceeded, for the kitchen was dim as a coal cellar, and was further
obscured by the foul tobacco smoke the lads were emitting from their
short pipes. A few were romping about—“larking,” as it is termed—but the
majority, girls and boys, were squatted on the floor, telling and
listening to stories, the quality of which might but too truly be guessed
from the sort of applause they elicited. A few—impatient of the
frivolity that surrounded them, and really anxious for “the play”—stood
Public-domain text, read in full here on John Shaqi.
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