The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
The embossed work of the Assyrians is the most curious and the most
artistic portion of their metallurgy. Sometimes it consisted of mere
heads and feet of animals, hammered into shape upon a model composed of
clay mixed with bitumen. [PLATE LXXV., Figs. 1, 2.] Sometimes it
extended to entire figures, as (probably) in the case of the lions
clasping each other, so common at the ends of sword-sheaths (see [PLATE
LXXV., Fig. 3]), the human figures which ornament the sides of chairs or
stools, and the like. [PLATE. LXXV., Fig. 3.] Occasionally it was of a
less solid but at the same time of a more elaborate character. In a
palace inhabited by Sargon at Nimrud, and in close juxtaposition with a
monument certainly of his time, were discovered by Mr. Layard a number
of dishes, plates, and bowls, embossed with great taste and skill, which
are among the most elegant specimens of Assyrian art discovered during
the recent researches. Upon these were represented sometimes hunting
scenes, sometimes combats between griffins and lions, or between men and
lions, sometimes landscapes with trees and figures of animals, sometimes
mere rows of animals following one another. One or two representations
from these bowls have been already given. They usually contain a star or
scarab in the centre, beyond which is a series of bands or borders,
patterned most commonly with figures. [PLATE LXXVI., Fig 1.] It is
impossible to give an adequate idea of the delicacy and spirit of the
drawings, or of the variety and elegance of the other patterns, in a
work of moderate dimensions like the present. Mr. Layard, in his Second
Series of “Monuments,” has done justice to the subject by pictorial
representation, while in his “Nineveh and Babylon” he has described the
more important of the vessels separately. The curious student will do
well to consult these two works, after which he may examine with
advantage the originals in the British Museum.
[Illustration: PLATE 76]
One of the most remarkable features observable in this whole series of
monuments, is its semi-Egyptian character. The occurrence of the scarab
has been just noticed. It appears on the bowls frequently, as do
sphinxes of an Egyptian type; while sometimes heads and head-dresses
purely Egyptian are found, as in [PLATE LXXVI., Fig. 2], which are
well-known forms, and have nothing Assyrian about them and in one or two
instances we meet with hieroglyphics, the _onk_ (or symbol of life),
[Illustration: _onk_ on page 223]
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