The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
The usual material of the Assyrian ornamental metallurgy is bronze,
composed of one part of tin to ten of copper which are exactly the
proportions considered to be best by the Greeks and Romans, and still in
ordinary use at the present day. In some instances, where more than
common strength was required, as in the legs of tripods and tables, the
bronze was ingeniously cast over an inner structure of iron. This
practice was unknown to modern metallurgists until the discovery of the
Assyrian specimens, from which it has been successfully imitated.
We may presume that, besides bronze, the Assyrians used, to a certain
extent, silver and gold as materials for ornamental metal-work. The
earrings, bracelets, and armlets worn by the kings and the great
officers of state were probably of the more valuable metal, while the
similar ornaments worn by those of minor may have been of silver. [PLATE
LXXVI., Fig. 3.] One solitary specimen only of either class has been
found; but Mr. Layard discovered several moulds, with tasteful designs
for earrings, both at Nimrud and at Koyunjik; and the sculptures show
that both in these and the other personal ornaments a good deal of
artistic excellence was exhibited. The earrings are frequent in the form
of a cross, and are sometimes delicately chased. The armlets and
bracelets generally terminate in the heads of rams or bulls, which seem
to have been rendered with spirit and taste.
[Illustration: PLATE 77]
[Illustration: PLATE 78]
By one or two instances it appears that the Assyrians knew how to inlay
one metal with another. [PLATE LXXVI, Fig. 5.] The specimens discovered
are scarcely of an artistic character, being merely winged scarabaei,
outlined in gold on a bronze ground [PLATE LXXVI., Fig. 4.] The work,
however, is delicate, and the form very much more true to nature than
that which prevailed in Egypt.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account