The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
The parasol, which has always been in the East a mark of dignity, seems
in Persia, as in Assyria, to have been confined, either by law or usage,
to the king. The Persian implement resembled the later Assyrian, except
that it was not tasselled, and had no curtain or flap. It had the same
tent-like shape, the same long thick stem, and the same ornament at the
top. It only differed in being somewhat shallower, and in having the
supports, which kept it open, curved instead of straight. It was held
over the king’s head on state occasions by an attendant who walked
immediately behind him. [PLATE XXXII., Fig. 3.]
The throne of the monarch was an elevated seat, with a high back, but
without arms, cushioned, and ornamented with a fringe, and with moldings
or carvings along the back and legs. The ornamentation consisted chiefly
of balls and broad rings, and contained little that was artistic or
elaborate. The legs, however, terminated in lions’ feet, resting upon
half balls, which were ribbed or fluted. The sides of the chair
below the seat appear to have been panelled, like the thrones of the
Assyrians, but were not adorned with any carving. The seat of the throne
was very high from the ground, and without a rest the legs would have
dangled. A footstool consequently was provided, which was plain, like
the throne, but was supported on legs terminating in the feet of bulls.
Thus the lion and the bull, so frequent in the symbolism of the East,
were here again brought together, being represented as the supports of
the throne.
With respect to the material whereof the throne was composed, there
can be no doubt that it was something splendid and costly. Late writers
describe it as made of pure gold; but, as we hear of its having silver
feet, we may presume that parts at least were of the less precious
metal. Ivory is not said to have been used in its composition. We may,
perhaps, conjecture, that the frame of the throne was wood, and that
this was overlaid with plates of gold or silver, whereby the whole of
the woodwork was concealed from view, and an appearance of solid metal
presented.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account