Five centuries and a half of servitude could not much improve or elevate the character of the people. Their fall from power, their loss of wealth and of dominion did indeed advantage them in one way: it but an end to that continually advancing sloth and luxury which had sapped the virtue of the nation, depriving it of energy, endurance, and almost every manly excellence. It dashed the Persians back upon the ground whence they had sprung, and whence, Antseus-like, they proceeded to derive fresh vigor and vital force. In their “scant and rugged” fatherland, the people of Cyrus once more recovered to a great extent their ancient prowess and hardihood--their habits became simplified, their old patriotism revived, their self-respect grew greater. But while adversity thus in some respects proved its “sweet uses” upon them, there were other respects in which submission to the yoke of the Greeks, and still more to that of the Parthians, seems to have altered them for the worse rather than for the better. There is a coarseness and rudeness about the Sassanian Persians which we do not observe in Achaemenian times. The physique of the nation is not indeed much altered. Nearly the same countenance meets us in the sculptures of Artaxerxes, the son of Babek, of Sapor, and of their successors, with which we are familiar from the bas-reliefs of Darius Hystapis and Xerxes. There is the same straight forehead, the same aquiline nose, the same well-shaped mouth, the same abundant hair. The form is, however, coarser and clumsier; the expression is less refined; and the general effect produced is that the people have, even physically, deteriorated. The mental and aesthetic standard seems still more to have sunk. There is no evidence that the Persians of Sassanian times possessed the governmental and administrative ability of Darius Hystapis or Artaxerxes Ochus. Their art, though remarkable, considering the almost entire disappearance of art from Western Asia under the Parthians, is, compared with that of Achaemenian times, rude and grotesque. In architecture, indeed, they are not without merit though even here the extent to which they were indebted to the Parthians, which cannot be exactly determined, must lessen our estimation of them; but their mimetic art, while not wanting in spirit, is remarkably coarse and unrefined. As a later chapter will be devoted to this subject, no more need be said upon it here. It is sufficient for our present purpose to note that the impression which we obtain from the monumental remains of the Sassanian Persians accords with what is to be gathered of them from the accounts of the Romans and the Greeks. The great Asiatic revolution of the year A.D. 226 marks a revival of the Iranic nationality from the depressed state into which it had sunk for more than five hundred years; but the revival is not full or complete. The Persians of the Sassanian kingdom are not equal to those of the time between Cyrus the Great