The successes of Odenathus in A.D. 263 were followed by a period of comparative tranquillity. That ambitious prince seems to have been content with ruling from the Tigris to the Mediterranean, and with the titles of “Augustus,” which he received from the Roman emperor, Gallienus, and “king of kings,” which he assumed upon his coins. He did not press further upon Sapor; nor did the Roman emperor make any serious attempt to recover his father’s person or revenge his defeat upon the Persians. An expedition which he sent out to the East, professedly with this object, in the year A.D. 267, failed utterly, its commander, Heraclianus, being completely defeated by Zenobia, the widow and successor of Odenathus. Odenathus himself was murdered by a kinsman three or four years after his great successes; and, though Zenobia ruled his kingdom almost with a man’s vigor, the removal of his powerful adversary must have been felt as a relief by the Persian monarch. It is evident, too, that from the time of the accession of Zenobia, the relations between Rome and Palmyra had become unfriendly; the old empire grew jealous of the new kingdom which had sprung up upon its borders; and the effect of this jealousy, while it lasted, was to secure Persia from any attack on the part of either. It appears that Sapor, relieved from any further necessity of defending his empire in arms, employed the remaining years of his life in the construction of great works, and especially in the erection and ornamentation of a new capital. The ruins of Shahpur, which still exist near Kazerun, in the province of Fars, commemorate the name, and afford some indication of the grandeur, of the second Persian monarch. Besides remains of buildings, they comprise a number of bas-reliefs and rock inscriptions, some of which were beyond a doubt set up by Sapor I. In one of the most remarkable the Persian monarch is represented on horseback, wearing the crown usual upon his coins, and holding by the hand a tunicked figure, probably Miriades, whom he is presenting to the captured Romans as their sovereign. Foremost to do him homage is the kneeling figure of a chieftain, probably Valerian, behind whom are arranged in a double line seventeen persons, representing apparently the different corps of the Roman army. [PLATE XIV.] All these persons are on foot, while in contrast with them are arranged behind Sapor ten guards on horseback, who represent his irresistible cavalry. Another bas-relief at the same place gives us a general view of the triumph of Sapor on his return to Persia with his illustrious prisoner. Here fifty-seven guards are ranged behind him, while in front are thirty-three tribute-bearers, having with them an elephant and a chariot. In the centre is a group of seven figures, comprising Sapor, who is on horseback in his usual costume; Valerian, who is under the horse’s feet; Miriades, who stands by Sapor’s side; three principal tribute-bearers in front of the main