The Seven Periods of English Architecture Defined and Illustrated — John Shaqi
The Seven Periods of English Architecture Defined and IllustratedSharpe, Edmund
History
The Seven Periods of English Architecture Defined and Illustrated
Sharpe, Edmund
Architecture -- England -- History
The walls of a Norman building are usually strong and massive, and
built of small stones. They have a plain BASE-COURSE, of little
projection, and are generally finished above with a CORBEL-TABLE,
consisting sometimes of a series of small arches, on rude heads, and
sometimes of a projecting horizontal table resting on a series of
rudely sculptured blocks. Upon this Corbel-table is a plain PARAPET and
COPING where these are left, which is rarely the case.
The compartments are divided by a shallow BUTTRESS or PILASTER STRIP.
The WINDOWS are low and broad, and have usually a single shaft set in
an angular recess, carrying a cubical capital and a single roll.
The STRING-COURSES, when not plain, have frequently indented ornaments
of different kinds--such as the _billet_, the _saw-tooth_, the _star_,
and the _chevron_.
The CLERE-STORY WINDOWS, in the larger and richer buildings, are
usually placed in an arcade, consisting of three or more arches, of
which the centre one, filled by the window, is the largest.
_Interior Compartment._
The proportions of the interior are invariably heavy and massive.
The PIERS consist either of a stout cylindrical column, or of a
rectangular mass, having semicircular shafts attached to its different
faces. They are sometimes, when circular, scored and ornamented with
zig-zag, spiral, and other mouldings.
The CAPITALS are formed of a cubical block, rounded off on the lower
side from the square to the circle, and are ordinarily of a heavy
cumbrous character, and sometimes ornamented with rude sculpture of
leaves and animals, carved in slight relief on the surface of the
block.
The PIER-ARCHES, in early examples, are perfectly plain, and square
edged, without mouldings or ornament; but more frequently they carry
one or more heavy rolls on the angle of each order of the arch; and are
often ornamented richly with concentric rows of chevron, billet, and
other Norman ornaments.
The VAULTING or ROOF-SHAFT is usually a semicircular shaft rising from
the floor--on the face of every alternate Pier--to the springing of the
vault or roof.
In the earlier buildings the TRIFORIUM is generally occupied by one
large arch, of somewhat less span and height than the pier-arch: but in
the later examples, this arch is generally subdivided into two, and
later still, into four small arches, carried on single shafts; the
capitals, arch-mouldings, and other details, being all on a smaller
scale, but of similar character, to those of the Ground-story.
In most Norman buildings of large size, the Triforium forms a very
important part of the design of the Interior.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account