The Seven Periods of English Architecture Defined and Illustrated — John Shaqi
The Seven Periods of English Architecture Defined and IllustratedSharpe, Edmund
History
The Seven Periods of English Architecture Defined and Illustrated
Sharpe, Edmund
Architecture -- England -- History
The CORNICE carries usually a row of large square pateras of foliage,
in a shallow hollow, and is often surmounted with a battlement, or a
parapet pierced or panelled with a flowing trefoil or a quatrefoil.
The BALL-FLOWER which appeared at the end of the previous Period,
became a favourite ornament for a short time in the commencement of
this Period.
_Interior Compartment._
The PIERS are usually disposed in plan in the form of a diamond; and
consist generally of four shafts with intervening hollows. The BASES
and CAPITALS are not unfrequently octagonal in form; and the foliage of
the latter consists of crumpled leaves, not growing out of the neck of
the capital, as in the earlier Periods, but apparently attached to it,
or bound round it.
The mouldings of the PIER-ARCHES are fewer in number; they are
shallower than those of the preceding Period, and often contain the
double Ogee; the walls being thinner, the arches frequently carry, in
this Period, as well as in the following one, only two orders of
mouldings instead of three. The small square patera, consisting of four
leaves, is a common ornament of the Period, and all the foliage is
formed of peculiar crumpled leaves, which are easily distinguished from
those of the preceding Period.
It is not uncommon in this Period to find the arch mouldings continued,
without the intervention of impost or capital, down to the ground; or,
inversely, the mouldings of the piers carried uninterruptedly upwards
through the arch. This is the case as well in the arches of the
Ground-story, as in the windows and doorways.
The TRIFORIUM rarely occurs in its full proportions, and in such cases
exhibits the usual window tracery of the Period: it oftener consists of
a panel enclosed within the prolonged jambs of the Clere-story window,
and is sometimes reduced to a row of quatrefoils.
The CLERE-STORY has its inner arch sometimes foliated, but oftener the
window is flush with the face of the inner wall, and the gallery is
omitted.
The VAULTING exhibits much more intricacy; and a variety of ribs
generally intersect the surface of the different cells.
The AISLE-ARCADE is not often seen.
PRINCIPAL BUILDINGS
OF
THE CURVILINEAR PERIOD.
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