The Seven Periods of English Architecture Defined and IllustratedSharpe, Edmund
History
The Seven Periods of English Architecture Defined and Illustrated
Sharpe, Edmund
Architecture -- England -- History
As regards the later of these classes, the same difficulty does not
exist. Mr. Rickman divided the whole of the buildings of Pointed
Architecture into three Styles or Classes, which he denominated "Early
English," "Decorated," "Perpendicular." The titles of the two last he
professed to derive from the character of their windows, conceiving, no
doubt justly, that no part of a Gothic building exhibits peculiarities
of Style in so prominent and characteristic a manner as its windows. In
strict accordance with this rule, which may be assumed to be a correct
and valuable one, it has already been shown,[B] that had Mr. Rickman
gone a step further and classed the whole of the buildings of Pointed
Architecture according to the forms of their Windows under _four_
heads, instead of _three_, he would have obtained a classification
equally simple, but more intelligible and convenient; he would have
obviated much that is confused and indefinite, and therefore perplexing
to the Architectural Student, in his description of buildings which
belong to the class to which we are now referring, and would have
enabled us to compare the buildings of our own Country with those of
corresponding character, and nearly contemporaneous date on the
Continent, in a manner that would have established an analogy between
them, which, according to the present classification, has no apparent
existence.
The inability to describe, or speak of any of the buildings belonging
to either of these two classes, including some of the finest in the
kingdom, otherwise than as examples of an intermediate and anomalous
character, exhibiting the peculiarities partly of one style and partly
of another, but belonging specifically to neither, must be admitted to
be a serious defect in all hitherto recognised systems of Architectural
Nomenclature; and there are probably few Architecturalists who have not
frequently felt the inconvenience arising from the want of more
explicit and definite terms than at present exist, by means of which
to describe the buildings of these two classes.
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