The seventh shot : $b A detective storyLandon, Herman
General
The seventh shot : $b A detective story
Landon, Herman
Actors -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
“Suppose you take her?” was his first utterance. “She’s one handful.”
Kitty, once in the hands of the officers, shrugged her shoulders and
changed her tune.
“What a lot of fools you are!” she exclaimed contemptuously. “You had
the clew in your hands a dozen times over! It was only to-day that this
fellow got onto it, though, and so”—again she shrugged her shoulders—“I
had to finish him, if I could, hadn’t I?”
CHAPTER XXXII
THE LOST CLEW
Ferrati was the selfsame man who had first induced Kitty to run away
from her home, her father, and her sister. As she had progressed, she
had grown away from him and his evil influences; but, as often happens
in a situation of this sort, when she found herself in trouble of a
criminal nature, she had gravitated most naturally back to the man who,
she was sure, could help her out of her problem.
Face to face with each other in the inspector’s own office, neither
Kitty nor Ferrati had the nerve to hold out; between them, as a matter
of fact, they cleared up sundry police mysteries which had worried the
heads and irritated the underlings for months past.
The trap set for Jim Barrison elucidated a good many mysteries and
showed the way in which several rich men had disappeared from the face
of the earth. The trapdoor was not in any sense a secret one; it had
been seen by half a dozen policemen during the energetic investigations
of Ferrati and his establishment which had gone on from time to time
ever since it had become generally known that men who subsequently
disappeared had been “last seen dining at Ferrati’s.” But the
explanation had been so simple and there had been so little attempt,
seemingly, at subterfuge or evasion, that the law had been put off the
scent so far as that trapdoor was concerned.
The room in which it was situated was a kind of pantry, and directly
under it was a part of the cellar. Like many restaurant keepers, he had
bought an old country house and made it over into a resort. Thrifty
Italian that he was, he had made as few and as inexpensive alterations
as possible in the actual structure of the building, and had found it
cheaper to put in a trapdoor and a ladder than to build a complete
staircase reaching to his cellar. This was the explanation that he gave
the police, and it was probably true, and was assuredly logical.
Public-domain text, read in full here on John Shaqi.
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