The seventh shot : $b A detective storyLandon, Herman
General
The seventh shot : $b A detective story
Landon, Herman
Actors -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
What became apparent now, however, was that the trapdoor had served
other ends than that of legitimate café service. What could be easier
than to inveigle a man into the room and get rid of him through the
cellar door? As for the disposal of the body, that, too, was quaintly
provided for and covered by Ferrati’s business. Every morning, just
at dawn, the restaurant garbage was carted away. It was not difficult
to carry other and more ghastly things away at the same time; and the
road is lonely at that hour. A couple of discreet henchmen could quite
easily drop something over the cliffs in the direction of the river.
But, after all, this was a secondary matter for the moment.
The great thing was that they knew now who had fired the seventh shot.
It only remained to find out how it had been done, for even after Kitty
had admitted it, the thing seemed impossible from the facts which they
had securely established.
She did not in the least mind telling them about it. She told her story
with simplicity and directness. In her curious, calculating little head
there was not the slightest trace of regret or remorse for what she
had done. Barrison, watching her, remembered his talk with Wrenn, and
seemed to descry in the daughter the same strange bias he had noted in
the father; the same profound selfishness, the same complete absence
of conscience where her own wrongdoing was concerned. It also appeared
clear that only one person had ever sincerely touched the heart of
either of them, and that was the man who was dead.
There was one thing that Kitty did truly grieve for, and that was
Mortimer’s death. Whether it was because she had loved him, or because
in losing him, she had lost the chance of marrying and so squaring her
somewhat twisted and clouded past, would never be known to any one but
herself. That she did grieve, however odd it might appear, was certain.
The detectives exchanged glances of wonder as they realized how simple
the case had been from the very first, once given the clew. As for the
clew itself, Barrison had had it once, but had lost it. It was, as
he had at one time suspected, that red evening coat. It had left the
theater exactly when it was supposed to have left; only—it was not
Kitty who had worn it!
It was the morning after the episode at Ferrati’s, and Lowry was
holding an informal inquiry. None of them who were present would ever
forget it—nor the enchanting picture which the self-confessed murderess
presented as she sat there with a poise that her situation could not
impair, looking exquisite in the swathing black which she wore for the
man whom she had herself killed!
Inspector Lowry was, for once in his life, totally at a loss,
absolutely nonplused. To Barrison, and the other men who knew him
well, his blank amazement in the face of the phenomenon represented by
Kitty Legaye was, to say the least of it, entertaining.
Public-domain text, read in full here on John Shaqi.
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