The seventh shot : $b A detective storyLandon, Herman
General
The seventh shot : $b A detective story
Landon, Herman
Actors -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Lowry was a big, raw-boned man of middle age, with a peculiarly soft,
amiable voice, and a habit of looking at almost any point on earth
save the face of the person to whom he was speaking. This seemingly
indifferent manner gave him an enormous advantage over any luckless
soul whom he chanced to be examining, for when he shot the question
which was of all questions the most vital and the most important, he
would suddenly open his eyes and turn their piercing gaze full upon his
victim. That unfortunate, having by that time relaxed his self-guard,
would be apt to betray his innermost emotions under the unexpected gaze.
Naturally, the first thing to do was to get Sybil Merivale’s story.
His manner to the girl was not unkindly. She was a piteous figure
enough, as she sat drooping in the chair they had brought her, trying
to keep her eyes from turning, with a dreadful fascination, to the
spatter of red upon the steps so near her. Norman Crane stood at her
side, with the air of defying the universe, if it were necessary, for
her protection. Once in a while she would look up at him, and always
with that subtle expression of apprehension and uncertainty which
Barrison found so hard to read.
“Miss—ah—Merivale? Quite so, quite so. Miss Merivale, if you feel
strong enough, I should be glad if you would tell us what you know
about the shooting.” The inspector’s voice was mild as honey, and his
glance wandered about this queer, shadowy world behind the scenes. It
is doubtful if he had ever made an investigation in such surroundings.
To see him, one would have said that he was interested in everything
except in Sybil Merivale and what she had to tell.
“I don’t know anything about it,” she answered simply.
“But you were quite close to him when he was shot, were you not?”
“Yes.” She shuddered, and looked down at the stain of blood upon her
dress. “He was just taking me up in his arms to carry me on——”
“That was in the—ah—action of the play?”
“Yes. After the six shots, I heard another, and felt him stagger. I
slipped to the floor, and he fell at once. He put out his hand to catch
at the scenery.” She pointed to the canvas door of the stage set
which still stood open. “I felt something warm on my hand.” She closed
her eyes as though the remembrance made her faint. “Then he—he fell
backward down the steps. That’s all.”
“Ah, yes.” The inspector thought for a moment, and then he said to
Dukane: “Would it be possible for every one to go to the places they
occupied at the moment of the shooting? I am assuming that every one is
here who was here then?”
“Every one; so far as I know, no one has been allowed to leave the
theater. Willie, tell them to take their places.”
Willie caused a rather ghastly sensation when he called out:
“Everybody, please! On the stage, every one who is in the last act!”
There was a murmur among the actors.
“Good Lord!” muttered Claire McAllister. “They ain’t goin’ to rehearse
us _now_, are they?”
Public-domain text, read in full here on John Shaqi.
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