The seventh shot : $b A detective storyLandon, Herman
General
The seventh shot : $b A detective story
Landon, Herman
Actors -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
“Look at those two men standing near the door!” she said. “There, close
to the buffet. What do you think of them? Do tell me: I’ve a reason for
asking.”
Sybil’s eyes followed hers.
The two men were both noticeable, but one of them was so striking in
appearance that one hardly had eyes for any one else near by. He was a
very tall, very broad, very conspicuous type of man. Everything about
him was superlative—even the air of brooding ill temper which for
the moment he seemed to wear. He was exceedingly dark, with swarthy
coloring, coal-black hair, thick and tumbled, and deeply set black
eyes. His features were strong and heavy, but well shaped. Indeed, he
was in his general effect unquestionably handsome, and the impression
which he made was one not lightly to be felt nor quickly to be
forgotten.
“Well?” insisted Miss Legaye impatiently, as Sybil did not immediately
speak. “I asked you what you thought of him.” This time she did not
say “them,” but Sybil did not notice the altered word.
The girl continued to look at the tall, dark man as though she were
mesmerized, and when she spoke it was in a curious, detached tone, as
she might have spoken if she were thinking aloud.
“He is a very strange man,” she said. “He does not belong here in a
Broadway restaurant. He should be somewhere where things are wild and
wonderful and free—and perhaps rather terrible. I think he belongs
in—is it Egypt? He would be quite splendid in Egypt. Or—the prairies——”
She spoke dreamily as she stared at him.
“You look as though he were a ghost, not a man!” exclaimed Kitty, with
a laugh. “I must tell him what you said——”
“Tell him?” repeated Sybil, rousing herself. “You know him, then?”
“My dear child,” said Kitty Legaye, “that is Alan Mortimer!”
At the same moment Mortimer caught sight of her and strode toward her,
passing between the fragile little luncheon tables with the energy of a
whirlwind.
“Guess what has happened now!” he exclaimed in a deep but singularly
clear and beautifully pitched voice. “Dukane has fired Templeton, and
apparently I open little more than two weeks from to-night without a
leading woman! What do you know about that!”
“Without a leading woman? No, you don’t, either,” promptly rejoined
Kitty, the inspired. She always liked a neat climax for a scene,
especially when she could supply it herself. “I’ve just picked out Miss
Merivale to play _Lucille_.”
Breathless and amazed, Sybil looked up to meet his eyes. They were dark
and piercing. At first she thought only of that, and of their fire and
beauty. Then something obscurely evil seemed for a transient second to
look out of them. “What an awful man!” she said to herself. But he was
holding out his hand.
“Did you think of that all by yourself, Kit?” he said. A faint but
rather attractive smile lightening his moody eyes. “How do you
do—Lucille? You may consider the engagement—ah—confirmed.”
But Sybil, as she drew her hand away, felt vaguely frightened—she could
not have told why.
Public-domain text, read in full here on John Shaqi.
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