The Sex Worship and Symbolism of Primitive Races: An Interpretation — John Shaqi
The Sex Worship and Symbolism of Primitive Races: An InterpretationBrown, Sanger
Religion
The Sex Worship and Symbolism of Primitive Races: An Interpretation
Brown, Sanger
Phallicism; Sex -- Religious aspects; Symbolism
To properly interpret these beliefs and conduct, certain facts must be
kept in mind. One is that with primitive races the group stands for the
unit, and the individual has little if any personality distinct from the
group. This social state gives rise to what is spoken of as collective
thought, collective feeling, group action, etc. Miss J. Harrison[2]
considers this conception a very important one in primitive religious
development. All that the race expresses, all that it believes, is an
expression of collective feeling. As a result of this group thought,
feelings and beliefs are developed which are entertained by every
individual of the community. These racial feelings become a part of the
race itself; they are inseparable from it, and they find expression in
the loftiest of sentiments and the most earnest of religious beliefs.
Our study is not primarily concerned with religious development, but
since early man's deepest feelings found expression in what later became
a religion, it is necessary to search for racial motives in primitive
religions. These feelings are in no way comparable to the conscious
religious beliefs of later times, which were worked out in many
instances by an ingenious priesthood. The period when group feeling
predominated far antedated such civilizations as those of Egypt and
later Greece, for example, in which very elaborate religious systems
existed.
With primitive people these deeper feelings appear to arise
unconsciously rather than consciously. Moreover, probably as a result of
collective thought and feeling, motives and beliefs are developed and
elaborated in a way quite beyond the mental capacity of any one
individual of the community. Beliefs are formulated which have a
grandeur of conception and a beauty of expression well worthy of
admiration. The beauty and native vigor of some of the earlier myths are
examples of this. They live in the tribe as traditions. No one person
seems to have written them; in fact, they are added to, changed and
improved until they represent the highest expression of national
feelings. Gilbert Murray has indicated this in the _Rise of the Greek
Epic_. He emphasizes that there is found an expression of racial
feelings, built up from many sources. Such Sagas are not the property of
any one individual. The feelings they express are associated with the
unconscious of the race, if such a term is permissible. Gilbert
Murray,[3] in interpreting this element in primitive literature states:
"We have also, I suspect, a strange unanalyzed vibration below the
surface, an undercurrent of desires and fears, and passions, long
slumbering yet eternally familiar, which have for thousands of years
lain near the root of our most intimate emotions and been wrought into
the fabric of our most magical dreams. How far in the past ages this
stream may reach back I dare not even surmise; but it sometimes seems as
if the power of stirring it or moving with it were one of the last
secrets of genius."
Public-domain text, read in full here on John Shaqi.
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