The sexagenarian; or, the recollections of a literary life (Volume 1 of 2)Beloe, William
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The sexagenarian; or, the recollections of a literary life (Volume 1 of 2)
Beloe, William
Authors, English; Beloe, William, 1756-1817; English literature -- Anecdotes
He was proceeding quietly and happily in this path, when an incident
occurred, which disturbed him not a little. He was called upon in his
turn, to compose and repeat a declamation in the chapel, and a prize
of books was at this precise period, bequeathed by a former master of
the college, to the best declamation of the year. This was a great
stimulus, and roused all his energies. But his mortification was
undescribable, when sitting down to compose on the given subject, he
found he could make nothing of it. The mind, it is true, was crowded
with ideas, illustrations, characters, anecdotes, but he was unable
to combine and arrange them. It was still worse when he attempted to
express them in Latin. He could make Latin verse readily, and with some
degree of elegance. He had indeed written themes, made translations
from various English authors; but the thing was totally different: a
regular composition of several pages first to be digested, and afterwards
recited, seemed to present difficulties invincible. To make bad worse,
he had brought with him to college something of a reputation for
classical attainment, and at examination first, and afterwards at the
ordinary college lectures, he certainly did not lose the footing he had
gained. But original composition was a very distinct matter, and more
particularly in Latin. The time was limited, the last day came, and he
had made very little progress. He however put something together, and
with the help of a little self-command, and a tolerably good manner and
modulation of voice, he got through better than he expected. He was,
however, abashed and ashamed to put the composition into the hands of the
tutor, which it was customary to do. It was very indifferent, and at best
but English Latin. It must be unnecessary to say, that the declamation
prize was not gained this year, but it was the next.
“Here let me speak the truth.—(_Loquitur protempore Sexagenarius._)—I
never encountered any literary difficulty in the whole course of my
studies greater than that of a proficiency in writing Latin, properly
so called. For alas! though I did obtain the prize in the subsequent
competition of my brother under-graduates, I think that at this time I
should be afraid and ashamed to peruse the successful essay. It must
have been from a mere relative superiority, and from no intrinsic merit
in the composition itself. It is very singular, but very true, I could
read the language with sufficient facility; I could speak it with a
sort of fluency, and in my Act, and other exercises of the School, was
complimented for this very talent by the Moderator, who was an approved
scholar, and was afterwards the author of a popular tract on Greek and
Latin metres. Yet I could not catch the idiom—the rhythm was English. At
a subsequent period I was more successful, and at length I could write
it habitually, with correct and real Latinity. But in the interval, a
circumstance occurred which I will candidly relate.
Public-domain text, read in full here on John Shaqi.
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