The sexagenarian; or, the recollections of a literary life (Volume 2 of 2)Beloe, William
General
The sexagenarian; or, the recollections of a literary life (Volume 2 of 2)
Beloe, William
Authors, English; Beloe, William, 1756-1817; English literature -- Anecdotes
He was the son of a Dutch merchant, who retired from Holland with
a considerable fortune, to spend the remainder of his days in this
country, and with this view, purchased property in one of our largest
provincial towns. This traveller was his eldest son, and every thing
he undertook or did, his studies, pursuits, habits, and acquaintance,
were chosen with the most extraordinary waywardness. His characteristic
principle was “_fari quid sentiat_,” without any very nice regard to
time, circumstance, or persons. This was particularly obvious in all he
published, and in a neighbouring island, involved him in no trifling
perplexity or disgrace. By some thoughtless expression, he offended the
females of the place which he visited, and they, to mark their contempt
and indignation, thought proper to call a dishonourable utensil after his
name, and had a striking caricature of his person visible at bottom.
He published, however, one standard work, upon chess, which will always
be quoted with respect by all who are engaged in this particular pursuit,
the varieties, chances, and labyrinths of which he well describes, and
which any indifferent reader may peruse with satisfaction and amusement.
What his ultimate situation in life was, or whether he yet survived, when
these notes were written, was apparently unknown to the Sexagenarian. All
that appears on this head is in the form of a query, thus:—Did he not
afterwards engage unsuccessfully in business of a speculative kind, and
lose the wreck of his fortune?
The traveller had a brother of some waywardness also, but who was very
amiable, and, unlike the former, of the most unoffending manners. When
young, he had not a mere liking, but an absolute passion for theatrical
amusements. He in a manner attached himself to the provincial company of
the place where he resided, accompanied them to whatever place they went,
never absented himself from any of their performances, assisted them with
his countenance on all occasions, his advice, and his purse.
This passion remained for a considerable number of years without the
smallest abatement, till he finally formed a connection by marriage
with a family, the heads of whom were distinguished by the very highest
degrees of theatrical excellence, and not more deservedly popular for
their eminence of this kind, than for their general accomplishments. This
gentleman also was an author, but of a peculiar kind. His knowledge was
indeed principally confined to his own language, in the literature of
which, and more particularly in that which related to the Drama, he was
remarkably well skilled. The performance which he produced had relation
to the greatest ornament of our country, and which, if it was not
entitled to the praise of genius, might reasonably claim that of care and
diligence, of accuracy and usefulness.
Nam doli non doli sunt, nisi astu colas
Sed malum maxumum si id palam provenit.
CHAPTER X.
Public-domain text, read in full here on John Shaqi.
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