New York (N.Y.) -- Fiction; Science fiction; Time travel -- Fiction
THE SHADOW GIRL
By RAY CUMMINGS
(Author of "Into the Fourth Dimension," "Beyond the Stars," etc.)
_Here Is Another Classic Science Fiction Novel,
Reprinted by Your Request._
Illustrated by Smolenski.
Out of the misty reaches of time came a man and girl of the distant
future-New York to wreak vengeance upon Dr. Turber, prominent
physician of 1945. But what mystery lay behind Turber's Indian
assistant, who seemed to belong to the New Amsterdam of Peter
Stuyvesant, and how could Turber menace Great-New York of 2445?
An absorbing book-length novel by one of science fiction's prime
favorites.
[Transcriber's Note: This etext was produced from
Science Fiction Quarterly Spring 1942.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
CHAPTER I
WHAT THE TELEVISION SHOWED
The extraordinary and mysterious visions of the shadow girl appeared
on the television screen which Alan and I had just erected in his
workshop. It was nearly midnight--a hot sultry evening of late June.
The instrument was a Farodyne polychrome receiver; latest model of
the multiple-cell semi-oscillating type. We had worked all evening
installing it. Alan's sister, Nanette, sat quietly in a corner,
modeling a little statue in green clay. Occasionally she would ask us
how we were getting along.
We were planning to receive the broadcasting from the powerful Bound
Brook station--a program which had been advertised for 11.30 p.m.
The room was dark as we sat at the small instrument table with the
six-foot screen erect against the wall and only the flashing beams from
the whirling color-filters to cast a lurid glow upon us. The screen
hummed as the current went into it. But at once we saw that something
was wrong. The screen lighted unevenly; we could not locate with any
precision the necessary frequency ranges; not one of the three near-by
broadcasting studios which we knew were at that moment on the air,
would come in.
Nanette was disappointed and impatient as I manipulated the dials at
random, and Alan verified the connections. "Is there nothing on it?"
"Presently, Nan. Alan must have grounded it badly--I'm sure we have
everything else--"
I stopped abruptly. My grip tightened on her arm. We all sat tense. An
image was forming on the screen.
Alan said sharply: "Don't touch it, Ed!" I relinquished the dials.
We sat watching, tense, and interested. Then mystified, awed. And
presently upon us all there settled a vague, uneasy sense of fear.
For this, confronting us, was the Unknown.
* * * * *
Public-domain text, read in full here on John Shaqi.
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