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The Shadow of Life
The Shadow of Life
BY
Anne Douglas Sedgwick
AUTHOR OF “THE RESCUE,” “THE CONFOUNDING OF
CAMELIA,” “PATHS OF JUDGEMENT,” ETC.
[Illustration: colophon]
NEW YORK
The Century Co.
1906
Copyright, 1906, by
The Century Co.
_Published February, 1906_
THE DE VINNE PRESS
THE SHADOW OF LIFE
[Illustration: colophon]
PART I
The Shadow of Life
I
Elspeth Gifford was five years old when she went to live at Kirklands.
Her father, an army officer, died in her babyhood, and her mother a few
years later. The uncle and aunts in Scotland, all three much her
mother’s seniors, were the child’s nearest relatives.
To such a little girl death had meant no more than a bewildered
loneliness, but the bewilderment was so sharp, the loneliness so aching,
that she cried herself into an illness. She had seen her dead mother,
the sweet, sightless, silent face, familiar yet amazing, and more than
any fear or shrinking had been the suffocating mystery of feeling
herself forgotten and left behind. Her uncle Nigel, sorrowful and grave,
but so large and kind that his presence seemed to radiate a restoring
warmth, came to London for her and a fond nurse went with her to the
North, and after a few weeks the anxious affection of her aunts Rachel
and Barbara built about her, again, a child’s safe universe of love.
Kirklands was a large white house and stood on a slope facing south,
backed by a rise of thickly wooded hill and overlooking a sea of
heathery moorland. It was a solitary but not a melancholy house. Lichens
yellowed the high-pitched slate roof and creepers clung to the roughly
“harled” walls. On sunny days the long rows of windows were golden
squares in the illumined white, and, under a desolate winter sky, glowed
with an inner radiance.
In the tall limes to the west a vast colony of rooks made their nests;
and to Eppie these high nests, so dark against the sky in the vaguely
green boughs of spring or in the autumn’s bare, swaying branches, had a
weird, fairy-tale charm. They belonged neither to the earth nor to the
sky, but seemed to float between, in a place of inaccessible romance,
and the clamor, joyous yet irritable, at dawn and evening seemed full of
quaint, strange secrets that only a wandering prince or princess would
have understood.
Public-domain text, read in full here on John Shaqi.
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