Eppie sat before the fire on the low settle, laying down a book as he
came in. In her aspect of exquisite worldliness, the white dress
displaying her arms and shoulders with fashionable frankness, she struck
him anew as being her most perfectly armed and panoplied self. Out on
the windy hillside or singing among the woods, nature seemed partially
to absorb and possess her, so that she became a part of the winds and
woods; but indoors, finished and fine from head to foot, her mastered
conventionality made her the more emphatically personal. She embodied
civilization in her dress, her smile, her speech, her very being; the
loose coils of her hair and the cut of her satin shoe were both
significant of choice, of distinctive simplicity; and the very bareness
of her shoulders--Gavan gave an amused thought to the ferociously
sensitive Tolstoi--symbolized the armor of the world-lover, the
world-user. It was she who possessed the charms and weapons of the
civilization that crumbled to dust in the hand of the Russian mystic. He
could see her confronting the ascetic’s eye with the challenge of her
radiant and righteous self-assurance. Her whole aspect rebuilt that
shattered world, its pomp and vanity, perhaps, its towering scale of
values; each tier narrowing in its elimination of the lower, cruder,
less conscious, more usual; each pinnacle a finely fretted flowering of
the rare; a dazzling palace of foam. She embodied all that; but, more
than all for Gavan, she embodied the deep currents of trust that flowed
beneath the foam.
Her look welcomed him, though without a smile, as he drew a deep chair
to the fire and sat down near her, and for a little while they said
nothing, he watching her and she with gravely downcast eyes.
“What are you thinking of?” he asked at last.
“Of you, of course,” she answered. “About our talk this afternoon; we
haven’t finished it yet.”
She, too, then, had felt uncertainty that needed relief.
“Are you sharpening your knife?”
She put aside his lightness. “Gavan, we are friends. May I talk as I
like to you?”
“Of course you may. I’ve always shown you that.”
“No, you have tried to prevent me from talking. But now I will. I have
been thinking. It seems to me that it is your life that has so twisted
your mind; it has been so joyless.”
“Does that make it unusual?”
“You must love life before you can know it.”
“You must love it, and lose it, before you can know it. I have had joy,
Eppie; I have loved life. My experience has not been peculiarly
personal; it is merely the history of all thought, pushed far enough.”
“Of all mere thought, yes.”
She rested her head on her hand as she looked at him, seeming to wonder
over him and his thought, his mere thought, dispassionately. “Don’t be
shy, or afraid, for me. Why should you mind? I’ve given you my story;
give me yours. Tell me about your life.”
Public-domain text, read in full here on John Shaqi.
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