The Shadow of the PastYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Shadow of the Past
Young, F. E. Mills (Florence Ethel Mills)
South African War, 1899-1902 -- Fiction; Triangles (Interpersonal relations) -- Fiction
"It's a fairly sound argument," he returned with greater assurance. "No
nation in the world can colonise as we can."
"Honor," Mrs Krige interposed gently, "it is an abuse of hospitality to
attack a guest."
Again the pale fleeting smile crossed Honor's features. She glanced
down at the man, who sat with face half averted looking towards the
deepening purple of the sky, the colours of which never fade entirely on
the Karroo even in the pallid hour of the dawn.
"I am making no attack," she answered. "I am exposing the bleeding
heart of Africa for him to see." She came closer to him. "Can you see?
... blood and hatred, blood and hatred--the price of every morgen of
this land."
He looked up, immeasurably perplexed and discomposed. He had persuasion
that he ought to say something, offer some protest, put up something of
a defence; but he felt hopelessly inadequate. There was nothing he
could find to say except:
"We don't hate. As a race we are healthy: grievances do not fester with
us; they heal."
"I know," she said. "You pride yourselves on that. You don't bear
malice. But in your generosity you incline to overlook the fact that
this patronising attitude insults the object of your benevolence. You
say tolerantly: `The Boer is not half bad; he's useful; and anyway there
is no getting rid of him. He is here for always. We will let bygones
be bygones and not bear ill will,'--forgetting that the cause for ill
will is on his side rather than on yours, and showing surprise that he
does not respond, and appear obliged to you. You should learn to
remember--to forget too easily causes suffering to others."
"Honor!" Mrs Krige interposed again.
Honor passed swiftly behind Matheson's chair and approached her mother.
"I think at least you should bear in mind," Matheson said quietly, "that
your mother is an Englishwoman."
"My mother is Dutch," Honor replied quickly, and put an arm about her
mother's shoulders and drew close to her.
Something in that protective gesture, in the tones of the proud
determined young voice, and in the older woman's acquiescent silence,
acted like a silencing hand laid on Matheson's lips. He felt tragedy in
the air. She had said that she was revealing the bleeding heart of
Africa to him--she was doing more; he was gazing on the stark, unlovely
body of the past, disinterred from its too shallow grave by the morbid
passions which are born of hate.
Public-domain text, read in full here on John Shaqi.
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