The Shadow of the RopeHornung, E. W. (Ernest William)
General
The Shadow of the Rope
Hornung, E. W. (Ernest William)
Detective and mystery stories, English
Meanwhile the judge was dealing at the last with the prisoner's evidence
in her own behalf, and that mercifully enough, though with less
reticence than had characterized the earlier portions of his address. He
did not think it possible or even desirable to forget that this was the
evidence of a woman upon trial for her life. It must not be discredited
on that account. But it was for the jury to bear in mind that the story
was one which admitted of no corroboration, save in unimportant details.
More than that he would not say. It was for them to judge of that story
as they had heard it for themselves, on its own merits, but also in
relation to the other evidence. If the jury believed it, there was an
end of the case. If they had any reasonable doubt at all, the prisoner
was entitled to the full benefit of that doubt, and they must acquit
her. If, on the other hand, the facts taken together before and after
the murder brought the jury to the conclusion that it was none other
than the prisoner who had committed the murder--though, of course, no
one was present to see the act committed--they must, in duty to their
oaths, find her guilty.
During the judge's address the short November day had turned from
afternoon to night, and a great change had come over the aspect of the
dim and dingy court. Opaque globes turned into flaring suns;
incandescent burners revealed unsuspected brackets; the place was warmed
and lighted for the first time during the week. And the effect of the
light and warmth was on all the faces that rose as one while the judge
sidled from the bench, and the jury filed out of their box, and the
prisoner disappeared down the dock stairs for the last time in ignorance
of her fate. Next moment there was the buzz of talk that you expect in a
theatre between the acts, rather than in a court of justice at the
solemn crisis of a solemn trial. It was like a class-room with the
master called away. Hats were put on again in the bulging galleries;
hardly a tongue was still. On the bench a red-robed magnate and another
in knee-breeches exchanged views upon the enlarged photographs which had
played so prominent a part in the case; in the well the barristers' wigs
nodded or shook over their pink blotters and their quill pens; gentlemen
of the Press sharpened their pencils and indulged in prophecy; and on
their right, between the reporters and the bench, the privileged few,
the literary and theatrical elect, discussed the situation with abnormal
callousness, masking emotion with a childlike cynicism of sentiment and
phrase.
And for once the stranger in their midst, the man with more outward
distinction than any one of them, the unknown man with the snowy hair,
could afford to listen to what they had to say.
"No chance, my dear man. Not an earthly!"
"I'm not so sure of that."
"Will you bet?"
"No, hang it! What a beast you are! But I thought the woman was speaking
the truth."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account