And so I spent part of that evening at the Newburyport Public Library looking up data about Innsmouth. The Essex County histories on the library shelves had very little to say, except that the town was founded in 1643, noted for shipbuilding before the Revolution, a seat of great marine prosperity in the early 19th century, and later a minor factory center using the Manuxet as power. The epidemic and riots of 1846 were very sparsely treated, as if they formed a discredit to the country. References to decline were few, though the significance of the later record was unmistakable. After the Civil War all industrial life was confined to the Marsh Refining Company, and the marketing of gold ingots formed the only remaining bit of major commerce aside from the eternal fishing. Most interesting of all was a glancing reference to the strange jewelry vaguely associated with Innsmouth. It had evidently impressed the whole countryside more than a little, for mention was made of specimens in the museum of Miskatonic University at Arkham, and in the display room of the Newburyport Historical Society. I resolved to see the local sample--said to be a large, queerly-proportioned thing evidently meant for a tiara--if it could possibly be arranged. The librarian gave me a note of introduction to the curator of the Society, a Miss Anna Tilton, who lived nearby, and after a brief explanation that ancient gentlewoman was kind enough to pilot me into the closed building, since the hour was not outrageously late. The collection was a notable one indeed, but in my present mood I had eyes for nothing but the bizarre object which glistened in a corner cupboard under the electric lights. It took no excessive sensitiveness to beauty to make me literally gasp at the strange, unearthly splendor of the alien, opulent phantasy that rested there on a purple velvet cushion. The longer I looked, the more the thing fascinated me; and in this fascination there was a curiously disturbing element hardly to be classified or accounted for. I decided that it was the queer other-worldly quality of the art which made me uneasy. It was as if the workmanship were that of another planet. The patterns all hinted of remote secrets and unimaginable abysses in time and space, and the monotonously aquatic nature of the reliefs became almost sinister. Among these reliefs were fabulous monsters of abhorrent grotesqueness and malignity--wholly primal and awesomely ancestral. At times I fancied that every contour of these blasphemous fish-frogs was overflowing with the ultimate quintessence of unknown and inhuman evil. In odd contrast to the tiara's aspect was its brief and prosy history as related by Miss Tilton. It had been pawned for a ridiculous sum at a shop in State Street in 1873, by a drunken Innsmouth man shortly afterward killed in a brawl.