The Shadowy Third, and Other StoriesGlasgow, Ellen Anderson Gholson
General
The Shadowy Third, and Other Stories
Glasgow, Ellen Anderson Gholson
American fiction; Ghost stories; Short stories, American
Quite distinctly, as clear as day, I saw her come, with what children
call the dancing step, between the low box borders to the place where
the daffodils bloomed by the fountain. From her straight brown hair to
her frock of Scotch plaid and her little feet, which twinkled in white
socks and black slippers over the turning rope, she was as real to me as
the ground on which she trod or the laughing marble boys under the
splashing water. Starting up from my chair, I made a single step to the
terrace. If I could only reach her—only speak to her—I felt that I might
at last solve the mystery. But with the first flutter of my dress on the
terrace, the airy little form melted into the quiet dusk of the maze.
Not a breath stirred the daffodils, not a shadow passed over the
sparkling flow of the water; yet, weak and shaken in every nerve, I sat
down on the brick step of the terrace and burst into tears. I must have
known that something terrible would happen before they pulled down Mrs.
Maradick’s home.
The doctor dined out that night. He was with the lady he was going to
marry, the housekeeper told me; and it must have been almost midnight
when I heard him come in and go upstairs to his room. I was downstairs
because I had been unable to sleep, and the book I wanted to finish I
had left that afternoon in the office. The book—I can’t remember what it
was—had seemed to me very exciting when I began it in the morning; but
after the visit of the child I found the romantic novel as dull as a
treatise on nursing. It was impossible for me to follow the lines, and I
was on the point of giving up and going to bed, when Doctor Maradick
opened the front door with his latch-key and went up the staircase.
“There can’t be a bit of truth in it.” I thought over and over again as
I listened to his even step ascending the stairs. “There can’t be a bit
of truth in it.” And yet, though I assured myself that “there couldn’t
be a bit of truth in it,” I shrank, with a creepy sensation, from going
through the house to my room in the third storey. I was tired out after
a hard day, and my nerves must have reacted morbidly to the silence and
the darkness. For the first time in my life I knew what it was to be
afraid of the unknown, of the unseen; and while I bent over my book, in
the glare of the electric light, I became conscious presently that I was
straining my senses for some sound in the spacious emptiness of the
rooms overhead. The noise of a passing motor-car in the street jerked me
back from the intense hush of expectancy; and I can recall the wave of
relief that swept over me as I turned to my book again and tried to fix
my distracted mind on its pages.
Public-domain text, read in full here on John Shaqi.
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