The Shadowy Third, and Other StoriesGlasgow, Ellen Anderson Gholson
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The Shadowy Third, and Other Stories
Glasgow, Ellen Anderson Gholson
American fiction; Ghost stories; Short stories, American
“They all succumb to it—the neurotic temperament soonest, the phlegmatic
one later—but they all succumb to it in the end. The spirit of the place
is too strong for them. They surrender to the thought of the house—to
the psychic force of its memories—”
“There are memories, then? Things have happened here?”
“All old houses have memories, I suppose. Did you ever stop to wonder
about the thoughts that must have gathered within walls like these?—to
wonder about the impressions that must have lodged in the bricks, in the
crevices, in the timber and the masonry? Have you ever stopped to think
that these multiplied impressions might create a current of thought—a
mental atmosphere—an inscrutable power of suggestion?”
“Even when one is ignorant? When one does not know the story?”
“She may have heard scraps of it from the servants—who knows? One can
never tell how traditions are kept alive. Many things have been
whispered about Dare’s Gift; some of these whispers may have reached
her. Even without her knowledge she may have absorbed the suggestion;
and some day, with that suggestion in her mind, she may have gazed too
long at the sunshine on these marble urns before she turned back into
the haunted rooms where she lived. After all, we know so little, so
pitifully little about these things. We have only touched, we
physicians, the outer edges of psychology. The rest lies in darkness—”
I jerked him up sharply. “The house, then, is haunted?”
For a moment he hesitated. “The house is saturated with a thought. It is
haunted by treachery.”
“You mean something happened here?”
“I mean—” He bent forward, groping for the right word, while his gaze
sought the river, where a golden web of mist hung midway between sky and
water. “I am an old man, and I have lived long enough to see every act
merely as the husk of an idea. The act dies; it decays like the body,
but the idea is immortal. The thing that happened at Dare’s Gift was
over fifty years ago, but the thought of it still lives—still utters its
profound and terrible message. The house is a shell, and if one listens
long enough one can hear in its heart the low murmur of the past—of that
past which is but a single wave of the great sea of human experience—”
“But the story?” I was becoming impatient of his theories. After all, if
Mildred was the victim of some phantasmal hypnosis, I was anxious to
meet the ghost who had hypnotized her. Even Drayton, I reflected, keen
as he was about the fact of mental suggestion, would never have regarded
seriously the suggestion of a phantom. And the house looked so
peaceful—so hospitable in the afternoon light.
“The story? Oh, I am coming to that—but of late the story has meant so
little to me beside the idea. I like to stop by the way. I am getting
old, and an amble suits me better than too brisk a trot—particularly in
this weather—”
Public-domain text, read in full here on John Shaqi.
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