The Shadowy Third, and Other StoriesGlasgow, Ellen Anderson Gholson
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The Shadowy Third, and Other Stories
Glasgow, Ellen Anderson Gholson
American fiction; Ghost stories; Short stories, American
“I am not a bit tired. Will you take me to her?” One of the reasons, I
knew, which had decided Mrs. Vanderbridge to engage me was the
remarkable similarity of our handwriting. We were both Southerners, and
though she was now famous on two continents for her beauty, I couldn’t
forget that she had got her early education at the little academy for
young ladies in Fredericksburg. This was a bond of sympathy in my
thoughts at least, and, heaven knows, I needed to remember it while I
followed the maid down the narrow stairs and along the wide hall to the
front of the house.
In looking back after a year, I can recall every detail of that first
meeting. Though it was barely four o’clock, the electric lamps were
turned on in the hall, and I can still see the mellow light that shone
over the staircase and lay in pools on the old pink rugs, which were so
soft and fine that I felt as if I were walking on flowers. I remember
the sound of music from a room somewhere on the first floor, and the
scent of lilies and hyacinths that drifted from the conservatory. I
remember it all, every note of music, every whiff of fragrance; but most
vividly I remember Mrs. Vanderbridge as she looked round, when the door
opened, from the wood fire into which she had been gazing.
Her eyes caught me first. They were so wonderful that for a moment I
couldn’t see anything else; then I took in slowly the dark red of her
hair, the clear pallor of her skin, and the long, flowing lines of her
figure in a tea-gown of blue silk. There was a white bearskin rug under
her feet, and while she stood there before the wood fire, she looked as
if she had absorbed the beauty and colour of the house as a crystal vase
absorbs the light. Only when she spoke to me, and I went nearer, did I
detect the heaviness beneath her eyes and the nervous quiver of her
mouth, which drooped a little at the corners. Tired and worn as she was,
I never saw her afterwards—not even when she was dressed for the
opera—look quite so lovely, so much like an exquisite flower, as she did
on that first afternoon. When I knew her better, I discovered that she
was a changeable beauty; there were days when all the colour seemed to
go out of her, and she looked dull and haggard; but at her best no one
I’ve ever seen could compare with her.
Public-domain text, read in full here on John Shaqi.
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