Fantasy fiction; Oz (Imaginary place) -- Juvenile fiction
The tournament scene came next. The knights in their pots and pans were
mounted on extraordinary horses. Each was made up of two men covered
with tufted candlewick bedspreads. They too moved about the stage in a
slow and sleepy way. The lady who had inspired the fight looked on from
her box seat at the side of the stage, waving her handkerchief. But it
had slipped her mind apparently that it was the tournament she was
watching, and she looked straight at the audience and listlessly waved
her handkerchief as if trying to attract the attention of anyone who
might care to wave back at her.
When the knights supposedly rushed their horses at each other and aimed
their spears, the steeds ambled slowly in opposite directions, so far
apart that they seemed not to be aware of each other at all. When they
did finally get together, the horse of the knight who was to be winner
slipped and fell down, and the bedspread slid to the floor. The horse
and the knight who was to be victorious had to be re-assembled before
he could triumph over his victim who had been watching him pick himself
up off the floor.
Twink and Tom had to clap their hands over their mouths to keep from
bursting out with laughter. They did this because it was apparent that
King Ticket, Queen Curtain, and the Lords and Ladies took the play
quite seriously. Indeed, they were wildly enthusiastic.
Throughout the entire play the scenery kept toppling over, Lord
Props provided the wrong sound effects, and stage furniture at every
opportunity, and Lady Cue became so interested in a book of poetry that
she read from this instead of giving the actors and actresses their
proper lines.
Twink and Tom thought it strange that the people on the stage should
mumble their lines so badly and behave altogether as though they were
only half awake and were moving by clockwork.
Act after act continued in this fashion. But the audience saw only
the drama as it was intended. The Queen and the Ladies wept openly,
applying delicate lace handkerchiefs to their eyes. King Ticket and the
Lords, being men, contented themselves with brushing away a furtive
tear and repeatedly blowing their noses loudly in their spotless white
linen kerchiefs.
"Magnificent!" exclaimed King Ticket.
"Glorious!" proclaimed Queen Curtain through her tears. "This play will
run for years--it is one of the greatest romances we have ever staged!"
"Romance!" sighed King Ticket. "Ah, sublime romance--there is nothing
in the world so touching and beautiful!"
It was near the end of the last act. Twink and Tom were nodding.
Suddenly a new actor appeared upon the stage. Twink's half shut eyes
flew open. She grasped Tom by the arms and shook him awake. Twiffle
leaned forward, holding on to the rail of the box. None of them said a
word. For a few seconds they merely stared, unbelievingly.
The new character who had come on the stage and was even then mumbling
his lines in a mechanical voice was the Shaggy Man!
CHAPTER 12
Public-domain text, read in full here on John Shaqi.
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