The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's PlaysKeightley, Thomas
General
The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's Plays
Keightley, Thomas
Drama -- Outlines, syllabi, etc.; Shakespeare, William, 1564-1616 -- Outlines, syllabi, etc.
It is certainly very disheartening to those who devote their time and
labour to the elucidation of our Classic authors to find how small the
number is of those readers who are at all anxious to understand them
perfectly. The great majority, in fact, are quite satisfied if they
can get at the general meaning of a difficult or obscure passage, and
so glide over it. Still I am not without hope that among the tens of
thousands who buy, and I presume read, these Plays, there may be found
a few, a very few, hundreds who may wish to understand what they read,
and will therefore possess themselves of this volume. Profit is not
dreamed of, but it is hoped that loss may not be incurred.
When I was preparing my Edition of Milton's Poems, I fell into the
habit of correcting the text of our old writers. Hence I have corrected
copies of Chaucer, Spenser, the dramatists and others, which mayhap may
prove useful to future editors. The corrections of Shakespeare proved
so numerous as to form the present volume; but the idea of editing his
works never entered my mind till it was proposed to me, when I fear my
vanity became interested. I had been confessedly the best editor of
Milton, I might perchance stand in the same relation to Shakespeare.
My wish had been to be to the Faerie Queen what I had been to Paradise
Lost; and I may yet, perhaps, communicate some remarks on it in the
pages of Notes and Queries.
It was on the first edition of Collier's Shakespeare that I made my
corrections, and of previous emendations, if not noticed there, I knew
nothing. I afterwards read the Variorum and later editions; hence I
shall often be found saying that I had been anticipated. This was
always a source of pleasure to me, as a proof of the correctness of my
emendation. Porson, we are told, actually shed tears of joy when on
meeting with a copy of Aristophanes with MS. notes by Bentley, he found
his corrections had so frequently been anticipated. His delight was
still greater when on the discovery of the Ravenna MS. he saw so many
of his readings confirmed.
I must confess that experience has given me a good deal of confidence
in my own critical powers, and I am apt to fancy that when I cannot
conquer a difficulty it is nearly insuperable. Hence I have been little
anxious about learning what has been written by late critics.
At the risk, or rather I should say with the certainty, of being
charged with egotism, I will here state the following fact; for why
should truth be concealed? As I was one day, many years ago, discussing
some points in my 'Tales and Popular Fictions' with the late Mr. Douce,
he suddenly exclaimed "Oh, that you had but _my_ knowledge! What
discoveries you _would_ make!" I believe he was right, and that, under
more favourable circumstances, I should have done much; but it was not
to be.
Public-domain text, read in full here on John Shaqi.
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