"The other part shall have all other sweet-smelling herbs whether they be such as bear no flowers, or, if they bear any, yet they are not put in nosegays alone, but the whole herb be with them, as Southernwood, wormwood, pellitory, rosemary, jessamine, marierom, balm-mints, pennyroyal, costmarie, hyssop, lavender, basil, sage, savory, rue, tansy, thyme, camomile, mugwort, bastard marierum, nept, sweet balm, all-good, anis, horehound and others such-like; and this may be called the garden for herbs and good smell. "These sweet herbs and flowers for nosegays shall be set in order upon beds and quarters of such-like length and breadth as those of the kitchen garden; others in mazes made for the pleasing and recreating of the sight, and other some are set in proportions made of beds interlaced and drawn one within another or broken off with borders, or without borders." This arrangement is interesting as not only showing the division of flower-beds but that certain herbs were used in nosegays. It did not, therefore, strike Shakespeare's audiences as strange that _Perdita_ offered to her guests rosemary and rue on an equality with marigolds, violets, the crown-imperial (then so rare), daffodils, and lilies of all kinds. [Illustration: THE KNOT-GARDEN, NEW PLACE, STRATFORD-UPON-AVON] In William Lawson's "A New Orchard and Garden," which also appeared about the time of Shakespeare's death, the gardens of the period are perfectly described. Lawson was a practical gardener and had a poetic appreciation of flowers and trees. His book was long an authority. Every one had it. Lawson writes quaintly and delightfully: "The Rose, red, damask, velvet and double-double, Provence rose, the sweet musk Rose double and single, the double and single white Rose, the fair and sweet-scenting Woodbine double and single and double-double, purple Cowslips and double-double Cowslips, Primrose double and single, the Violet nothing behind the best for smelling sweetly and a thousand more will provoke your content. "And all these by the skill of your gardener, so comely and orderly placed in your borders and squares and so intermingled that none looking thereon cannot but wonder to see what Nature corrected by Art can do. "When you behold in divers corners of your Orchard Mounts of stone, or wood, curiously wrought within and without, or of earth covered with fruit-trees: Kentish cherry, damsons, plums, etc., with stairs of precious workmanship; and in some corner a true Dial or Clock and some antique works and especially silver-sounding music--mixt Instruments and Voices--gracing all the rest--how will you be rapt with delight!