The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
At last it was done. I set the bench where first it had been, at the
foot of the catafalque, and gathering up Madonna in my arms, as though
her weight had been an infant’s, I bore her swiftly out of the circle
of light of those four tapers into the black, impenetrable gloom
beyond. On I sped towards the high-altar, flying now as men fly in evil
dreams, with the sensation of an enemy upon them and their progress a
mere standing-still.
Thus I gained the chancel, hurtling against the railing as I passed,
and pausing for an instant, wondering whether those without could have
heard the noise which in my clumsiness I had made. But the grinding
sound continued uninterrupted, and I breathed more freely. I mounted
the altar-steps, the distant light behind me still feebly guiding me; I
ran round to the right, and heaved a great sigh of relief to find my
hopes verified, and that the altar of San Domenico was as the altar of
other churches I had known. It stood a pace or so from the wall, and
behind it there was just such narrow hiding-room as I had looked to
find.
I paused at the mouth of that black opening, and even as I paused,
something hard that gave out a metallic sound fell at the far end of
the church. Instinct told me it was the lock which those miscreants had
cut from the door. I waited for no more, but like a beast scudding to
cover I plunged into that black space.
Madonna, wrapped in my cloak as she was, I set down upon the ground,
and then I crept forward on hands and knees and thrust out my head,
trusting to the darkness to envelop me.
I waited thus for some seconds, my heart beating now against my ribs as
if it would hurl itself out of my bosom, my head and face on fire with
the fever of reaction that succeeded my late cold pallor.
From where I watched it was impossible to see the door hidden in the
black gloom. Away in the centre of the church, an island of light in
that vast sea of blackness, stood the catafalque with its four wax
torches. Something creaked, and almost immediately I saw the flames of
those tapers bend towards me, beaten over by the gust that smote them
from the door. Thus I surmised that Ramiro and his men had entered. The
soft fall of their feet; for they were treading lightly now, succeeded,
and at last they came into view, shadowy at first, then sharply
outlined as they approached the light.
A moment they stood in half-whispered conversation, their voices a mere
boom of sound in which no word was to be distinguished. Then I saw
Ramiro suddenly step forward—I knew him by his great height—and drag
away, even as I had done, the pall that hid the coffin. Next he seized
the bench and gave a brisk order to his men in a less cautious voice,
so that I caught his words.
“Spread a cloak,” said he, and, in obedience, the four that were with
him took a cloak among them, each holding one of its corners. It was
thus that he meant to bear her with him.
Public-domain text, read in full here on John Shaqi.
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