The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
A strange and mysterious thing is the working of terror on the human
mind. Some it renders incapable of thought or action, paralysing their
limbs and stagnating the blood in their veins; such creatures die in
anticipating death. Others under the stress of that grim passion have
their wits preternaturally sharpened. The instinct of self-preservation
assumes command of all their senses, and urges them to swift and
feverish action.
I thank God with a full heart that to this latter class do I belong.
After one gelid moment, spent with eyes and mouth agape, my hands
fallen limp beside me and my hair bristling with affright, I became
myself again and never calmer than in that dread moment. I went to work
with superhuman swiftness. My cheeks may have been livid, my very lips
bloodless; but my hands were steady and my wits under full control.
Concealment—concealment for myself and her—was the thing that now
imported; and no sooner was the thought conceived than the means were
devised. Slender means were they, yet Heaven knows I was in no case to
be exacting, and since they were the best the place afforded I must
trust to them without demurring, and pray God that Messer Ramiro might
lack the wit to search. And with that fresh hope it came to me that I
must find a way so to dispose as to make him believe that to search
would be a futile waste of energy.
The odds against me lay in the little time at my disposal. Yet a little
time there was. The door was stout, and Messer Ramiro might take no
violent means of bursting it, lest the noise should arouse the
street—and I well could guess how little he would relish having lights
to shine upon this deed of night of his.
With what tools his sbirro was at work I could not say; but surely they
must be such as would leave me a few moments. Already the fellow had
begun. I could make out a soft crunching sound, as of steel biting into
wood. To act, then!
With movements swift as a cat’s, and as silent, I went to work. Like a
ghost I glided round the coffin to the other side, where the lid was
lying. I took it up, and when for a moment I had deposited Madonna
Paola on the ground, I mounted the bench and gently but quickly set
back that lid as it had been. Next, I gathered up the cumbrous pall,
and mounting the bench once more I spread it across the coffin. This
way and that I pulled it, straightening it into the shape that it had
worn when first I had entered, and casting its folds into regular lines
that would lend it the appearance of having remained undisturbed.
And what time I toiled, the half of my mind intent upon my task, the
other half was as intent upon the progress of the worker at the door.
Public-domain text, read in full here on John Shaqi.
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