The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
“That might be an explanation,” he answered deliberately, “but frankly,
if I were asked, I should give a very different one.”
“And that would be?” came, sharp and compelling, the voice of Madonna.
He turned to her, shrugged his shoulders and laughed. “Why, since you
ask me,” he said, “I should hazard the opinion that Lazzaro, here, was
of considerable assistance to the Lord Giovanni in the penning of those
verses with which he delighted us all—and you, Madonna, I believe,
particularly.”
Madonna Paola crimsoned, and her eyes fell. The others looked at us
with inquiring glances—at her, at Filippo and at me. With a fresh laugh
Filippo turned to me.
“Confess now, am I not right?” he asked good-humouredly.
“Magnificent,” I murmured in tones of protest, “ask yourself the
question. Was it a likely thing that the Lord Giovanni would enlist the
services of his jester in such a task?”
“Give me a straightforward answer,” he insisted. “Am I right or wrong?”
“I am giving you more than a straightforward answer, my lord,” I still
evaded him, and more boldly now. “I am setting you on the high-road to
solve the matter for yourself by an appeal to your own good sense and
reason. Was it in the least likely, I repeat, that the Lord Giovanni
would seek the services of his Fool to aid him write the verses in
honour of the lady of his heart?”
With a burst of mocking laughter, Filippo smote the table a blow of his
clenched hand.
“Your prevarications answer me,” he cried. “You will not say that I am
wrong.”
“But I do say that you are wrong!” I exclaimed, suddenly inspired. “I
did not assist the Lord Giovanni with his verses. I swear it.”
His laughter faded; and his eyes surveyed me with a sudden solemnity.
“Then why did you evade my question?” he demanded shrewdly. And then
his countenance changed as swiftly again. It was illumined by the light
of sudden understanding. “I have it,” he cried. “The answer is plain.
You did not assist the Lord Giovanni to write them. Why? Because you
wrote them yourself, and you gave them to him that he might pass them
off as his own.”
It was a merciful thing for me that the whole company fell into a burst
of laughter and applauded Filippo’s quick discernment, which they never
doubted. All talked at once, and a hundred proofs were advanced in
support of Filippo’s opinion. The Lord Giovanni’s celebrated dullness
of mind, amounting almost to stupidity, was cited, and they reminded
one another of the profound astonishment with which they had listened
to the compositions that had suddenly burst from him.
Filippo turned to his sister, on whose pale face I saw it written that
she was as convinced as any there, and my feelings were those of a
dastard who has broken faith with the man who trusted him.
“Do you appreciate now, Madonna,” he murmured, “the deceits and wiles
by which that craven crept like a snake into your esteem?”
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