British -- Egypt -- Fiction; Egypt -- Fiction; Kidnapping -- Fiction; Love stories
He held her slender fingers gripped in his for a moment, smothering an
insane desire to press them to his lips, which he knew would be fatal
to the newly accorded friendship, and then let them go. Miss Mayo
continued sitting quietly beside him. She was in no way disturbed by
what had happened. She had taken him literally at his word, and was
treating him as the pal he had asked to be. It no more occurred to her
that she might relieve him of her society than it occurred to her that
her continued presence might be distressing to him. She was totally
unembarrassed and completely un-self-conscious. And as they sat silent,
her thoughts far away in the desert, and his full of vain longings and
regrets, a man's low voice rose in the stillness of the night. "_Pale
hands I loved beside the Shalimar. Where are you now? Who lies beneath
your spell_?" he sang in a passionate, vibrating baritone. He was
singing in English, and yet the almost indefinite slurring from note to
note was strangely un-English. Diana Mayo leaned forward, her head
raised, listening intently, with shining eyes. The voice seemed to come
from the dark shadows at the end of the garden, or it might have been
further away out in the road beyond the cactus hedge. The singer sang
slowly, his voice lingering caressingly on the words; the last verse
dying away softly and clearly, almost imperceptibly fading into
silence.
For a moment there was utter stillness, then Diana lay back with a
little sigh. "The Kashmiri Song. It makes me think of India. I heard a
man sing it in Kashmere last year, but not like that. What a wonderful
voice! I wonder who it is?"
Arbuthnot looked at her curiously, surprised at the sudden ring of
interest in her tone, and the sudden animation of her face.
"You say you have no emotion in your nature, and yet that unknown man's
singing has stirred you deeply. How do you reconcile the two?" he
asked, almost angrily.
"Is an appreciation of the beautiful emotion?" she challenged, with
uplifted eyes. "Surely not. Music, art, nature, everything beautiful
appeals to me. But there is nothing emotional in that. It is only that
I prefer beautiful things to ugly ones. For that reason even pretty
clothes appeal to me," she added, laughing.
"You are the best-dressed woman in Biskra," he acceded. "But is not
that a concession to the womanly feelings that you despise?"
"Not at all. To take an interest in one's clothes is not an exclusively
feminine vice. I like pretty dresses. I admit to spending some time in
thinking of colour schemes to go with my horrible hair, but I assure
you that my dressmaker has an easier life than Aubrey's tailor."
She sat silent, hoping that the singer might not have gone, but there
was no sound except a cicada chirping near her. She swung round in her
chair, looking in the direction from which it came. "Listen to him.
Jolly little chap! They are the first things I listen for when I get to
Port Said. They mean the East to me."
Public-domain text, read in full here on John Shaqi.
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