The Shepheard's Calender: Twelve Aeglogues Proportionable to the Twelve Monethes — John Shaqi
The Shepheard's Calender: Twelve Aeglogues Proportionable to the Twelve MonethesSpenser, Edmund
General
The Shepheard's Calender: Twelve Aeglogues Proportionable to the Twelve Monethes
Spenser, Edmund
English poetry -- Early modern, 1500-1700
Uncouth, unkiss'd, said the old famous poet Chaucer: whom for his
excellency and wonderful skill in making, his scholar Lidgate, a worthy
scholar of so excellent a maister, calleth the loadstar of our language:
and whom our Colin Clout in his Æglogue, calleth Tityrus the god of
shepheards, comparing him to the worthiness of the Roman Tityrus,
Virgil. Which proverb, mine own good friend M. Harvey, as in that good
old poet it served well Pandar's purpose for the bolstering of his bawdy
brocage, so very well taketh place in this our new Poet, who for that he
is uncouth (as said Chaucer) is unkiss'd, and unknown to most men, is
regarded but of a few. But I doubt not, so soon as his name shall come
into the knowledge of men, and his worthiness be sounded in the trump of
Fame, but that he shall be not only kiss'd, but also beloved of all,
embraced of the most, and wonder'd at of the best. No less, I think,
deserveth his wittiness in devising, his pithiness in uttering, his
complaints of love so lovely, his discourses of pleasure so pleasantly,
his pastoral rudeness, his moral wiseness, his due observing of decorum
every where, in personages, in seasons, in matter, in speech; and
generally, in all seemly simplicity of handling his matters, and framing
his words: the which of many things which in him be strange, I know will
seem the strangest, and words themselves being so ancient, the knitting
of them so short and intricate, and the whole period and compass of
speech so delightsome for the roundness, and so grave for the
strangeness. And first of the words to speak, I grant they be something
hard, and of most men unused, yet both English, and also used of most
excellent authors, and most famous poets. In whom, when as this our Poet
hath been much travailed and throughly read, how could it be, (as that
worthy orator said) but that walking in the sun, although for other
cause he walked, yet needs he must be sunburnt; and, having the sound of
those ancient poets still ringing in his ears, he must needs, in
singing, hit out some of their tunes. But whether he useth them by such
casualty and custom, or of set purpose and choice, as thinking them
fittest for such rustical rudeness of shepheards, either for that their
rough sound would make his rhymes more ragged and rustical; or else
because such old and obsolete words are most used of country folk, sure
I think, and think I think not amiss, that they bring great grace, and,
as one would say, authority to the verse. For albe, amongst many other
faults, it specially be objected of Valla against Livy, and of other
against Sallust, that with over much study they affect antiquity, as
covering thereby credence and honour of elder years; yet I am of
opinion, and eke the best learned are of the like, that those ancient
solemn words are a great ornament, both in the one, and in the other:
the one labouring to set forth in his work an eternal image of
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