Allegories; Christian fiction; Clergy -- Fiction; Ozark Mountains -- Fiction
“The boy loved your girl, Mr. Matthews. It was as though he had left
his soul in the hills. Night and day he heard her calling. The more his
work was praised, the more his friends talked of honors and planned his
future, the keener was his suffering, and most of all there was the
shadow that had come between him and his father, breaking the old
comradeship, and causing them to shun each other; though the father
never knew why. The poor boy grew morose and despondent, giving way at
times to spells of the deepest depression. He tried to lose himself in
his work. He fled abroad and lived alone. It seemed a blight had fallen
on his soul. The world called him mad. Many times he planned to take
his life, but always the hope of meeting her again stopped him.
“At last he returned to this country determined to see her at any cost,
and, if possible, gain her forgiveness and his father’s consent to
their marriage. He came into the hills only to find that the mother of
his child had died of a broken heart.
“Then came the end. The artist disappeared, leaving a long, pitiful
letter, saying that before the word reached his father, he would be
dead. The most careful investigation brought nothing but convincing
evidence that the unhappy boy had taken his own life. The artist knew
that it would be a thousand times easier for the proud man to think his
son dead than for him to know the truth, and he was right. Mr.
Matthews, he was right. I cannot tell you of the man’s suffering, but
he found a little comfort in the reflection that such extravagant
praise of his son’s work had added to the honor of the family, for the
lad’s death was held by all to be the result of a disordered mind.
There was not a whisper of wrong doing. His life, they said, was
without reproach, and even his sad mental condition was held to be
evidence of his great genius.
“The minister was weak, sir. He knew something of the intellectual side
of his religion and the history of his church, but he knew little, very
little, of the God that could sustain him in such a trial. He was
shamefully weak. He tried to run away from his trouble, and, because
the papers had made so much of his work as a preacher, and because of
his son’s fame, he gave only the first part of his name, thinking thus
to get away from it all for a season.
“But God was to teach the proud man of culture and religious forms a
great lesson, and to that end directed his steps. He was led here,
here, sir, to your home, and you—you told him the story of his son’s
crime.”
The shepherd paused. A hoarse whisper came from the giant in the chair,
“You—you, Dad, your—name is—”
Public-domain text, read in full here on John Shaqi.
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